Sunday's TBAs and More

Good Sunday everyone...welcome to Day Three of the 42nd Telluride Film Festival.


SUNDAY TBAS AND MORE

Here are the announced TBAs for Sunday:

Sunday TBAs

3 Die Nibelungen FREE Masons Hall Cinema 8:30AM

11 Black Mass Werner Herzog Theatre 1PM

8 Ixcanul Q&A Sheridan Opera House 1:15PM

39 Student Prints FREE Le Pierre 3:30PM

7a Steve Jobs Werner Herzog Theatre 4PM

28 Time to Choose Q&A Nugget Theatre 4:30PM

F Sembene! FREE Le Pierre 6:30PM

7a Steve Jobs Palm Theatre 8PM

Sneak Preview: Black Girl FREE Q&A Le Pierre 8:15PM

26 Taxi Masons Hall Cinema 9:30PM

15 Rams Le Pierre 10:15PM

Sneak Preview

BLACK GIRL

8:15PM, Le Pierre FREE / Q&A

Lured to France as a housekeeper, a young African girl finds the world closing in on her in Ousmane Sembene’s explosive, visionary debut. Drawing visually from the French Nouvelle Vague and spiritually from the Italian neorealists, the film’s heart and soul is African. This gorgeous new restoration, courtesy of Martin Scorsese’s Film Foundation and the Cineteca di Bologna, revives a film that remains as potent and relevant today as it did 50 years ago, with its black-and-white photography immersing us in the seemingly unending fissures of race and class. The final sequence—a boy in a mask haunting a Frenchman—remains one of the most memorable in cinema history. (Senegal, 1966, 66m) Followed by Q&A with Sembene biographer Samba Gadjigo

BLACK GIRL plays as a double feature with SEMBENE! with a 15-minute intermission between shows. Available seats will be filled during the intermission. The double feature will be followed by a Q&A with Sembene biographer Samba Gadjigo.

Conversation 10:30AM

Abel Gance Open Air Cinema

with Danny Boyle, Aaron Sorkin, Seth Rogen & Kate Winslet moderated by Todd McCarthy•

Sunday Seminar

Noon, Elks Park

Free and open to the public

“How does one build a layered narrative around a charismatic figure?”

With Scott Cooper, Joel Edgerton, Nicolas Saada, Xavier Giannoli

Announcement of Monday Sneak Preview!!

PICTURE

6PM Monday, Sheridan Opera House

Live accompaniment by the Alloy Orchestra

It is a film like no other you have seen. Made in violation of every rule of film production, Paolo Cherchi Usai’s second feature is a movie-in-denial, a film that tests—protests—its own identity as a film. The canned theatre; a dream factory; a work of art in the age of mechanical reproduction—intuitions like these have been thrown at the film medium since birth. The Tin Man has no heart, generations of wizards have been telling us. PICTURE was made as if its director had been blissfully unaware of their curse. (U.S., 2015, 68m)