Showing posts with label Collateral Beauty. Show all posts
Showing posts with label Collateral Beauty. Show all posts

Thursday, August 25, 2016

A Trailer for Manchester by the Sea / What's the Mystery Film? / Toronto Chiefs Name Contenders...They Sound Familiar

Good Thursday fellow film lovers.  The 43rd Telluride Film Festival is now only 7 days away...


A TRAILER FOR MANCHESTER BY THE SEA




Purportedly an Oscar contender since it bowed at The Sundance Film Festival last February, Kenneth Lonergan's Manchester by the Sea is expected by many to be that rare "Sundance" exception for The SHOW.  They don't come along very often.

For a good chunk of time I thought, and some others did as well, that Nate Parker's Birth of a Nation might be an exception too or instead but we're pretty sure that won't happen.

Manchester received great response from the Sundance crowd and is regarded by some as a strong contender for Oscar action.  The film stars Casey Affleck and Michelle Williams both of whom could well be in the conversation for acting awards.  The buzz on Affleck is particularly strong.

Those of us who didn't see the film in Park City now have a chance to look at some of it as Amazon/Roadside Attractions released a full trailer for it yesterday.  Here it is via YouTube:




As you might expect, here's coverage of the release of the trailer yesterday from:  









WHAT'S THE MYSTERY FILM?




Well, the Ol' Blog is chugging right along.  It gets increasing attention the closer we get to the opening of each year's SHOW and this year has been no exception.  Within the last couple of weeks MTFB has been mentioned or linked by Awards Daily, Awards Circuit, Awards Watch and maybe most intriguingly by Hollywood Elsewhere last Sunday evening.

The HE mention included a version of the last week;s Ten (Plus) Bets.  What made it intriguing were a couple of phrases in the post to the effect that author Jeffrey Wells had run the list by "a guy who knows his stuff" and that said "guy" all but endorsed the "Ten Bets" but also apparently added that it did not include "one major American film that is definitely going".

Which piqued my interest.

So...what could that "major American film" be?

Seems to me that the description really gives us some clues and limits.

At this point, by reason of deduction, has be a film that is NOT playing Toronto or New York which have revealed (we think) all of the films for their lineups.

It could be a film that will play Venice as part of that festival occurs before Telluride begins and continues after T-ride is over.

It could also be a film that will play the AFI Fest, BFI (because we don't know their complete lineups yet) or isn't going to play any other Festival at all.

And it has to be a "major American" film.

So...



If you've been reading this space of late you know that one of the rumors that's swirling around is that Warners is going to screen Sully in Telluride.  That would seem to fit the criteria listed above.

As a matter of fact, the three Warners' pictures we've been batting around for weeks would all probably fit the bill: Sully, The Accountant and Live By Night.

Next, I'm going to admit what a number of people have been guessing since last Friday that the buzz I've heard about a Venice film that could play despite its Toronto designation as a North American premiere is (as some of you have guessed) Nocturnal Animals.



If Nocturnal IS the film that our "guy" is referencing then that would raise a bunch of questions centered on the veracity of Toronto's so-called "honest premiere status" policy.  I think you'd have to question any and all of Toronto's designations at that point.

Additionally, someone in some comment section or forum somewhere this last week, suggested that the term "major American film" implied a release from a major studio rather than a distributor like Focus Features which is distributing Nocturnal Animals.

That said, Nocturnal Animals could be in the TFF #43 lineup, if what I'm hearing is true.

Three other films seem, to me anyway, to fit the descriptive terms.

Warren Beatty's Rules Don't Apply (20th Century Fox, release 11/23)

Robert Zemeckis' Allied (Paramount, release 11/23)

David Frankel's Collateral Beauty (New Line Cinema, release 12/16)

Martin Scorsese's Silence and Denzel Washington's Fences seem out of reach for Telluride.  Scorsese has been reported as saying Silence won't be ready until October and hasn't git a release date.  Fences is also thought to be unready and isn't set for release until 12/25.

So, in order, it seems to me that the best guess is:

1) Sully
2) Nocturnal Animals
3) Allied
4) Rules Don't Apply
5) Collateral Beauty

But I wouldn't bet the kids college fund.

Last real quick blip...The Ron Howard Beatles doc Eight Days a Week; The Touring Years

Got other ideas or thoughts...comment!

The original Hollywood Elsewhere post is here:

Hollywood Elsewhere


TORONTO CHIEFS NAME CONTENDERS...AND THEY SOUND FAMILIAR








In a story in The Guardian on Wednesday, Toronto International Film Festival CEO Piers Handling and Artistic Director Cameron Bailey responded to inquiry about the films that they have programmed for TIFF 2016 focusing on their evaluation of awards prospects.

The gentlemen named three films: Damien Chazelle's La La Land, Barry Jenkins' Moonlight and Denis Villenueve's Arrival.  Those comments were music to my ears as all three are expected (by MTFB anyway) to make the lineup for the 2016 version of The SHOW.

Last week's Ten (Plus) Bets had La La Land at #3, Arrival at #4 and Moonlight at #5.

Here's the article from The Guardian



That's going to do have to do it for this Thursday.  A new Ten (plus) Bets drops tomorrow!

Contact MTFB at:

mpgort@gmail.com

OR on Twitter @Gort2

OR check out Michael's Telluride Film Blog on Facebook:


Or leave a comment.




Tuesday, August 2, 2016

Re-Visiting Films from Warner Brothers / Free Fire to Close London / FFC's Distant Vision

Good Tuesday friends...

RE-VISITING FILMS FROM WARNER BROTHERS

I've written it a number of times, Warner Brothers has become a strong presence at Telluride over the past four years.  Beginning with the Oscar winning run for Ben Affleck's Argo in 2012.  They followed that in 2013 with Gravity (another Oscar heavy hitter) and Prisoners.  They weren't in T-ride in 2014 but returned last year with Black Mass.

Last week in his overview of Oscar in relation to the first wave of Toronto announcements and the Venice announcements, Variety's Kristopher Tapley wrote this:


"Getting back to Telluride, which sold out passes in record time this year, Warner Bros. has leveraged the fest in the past with films like “Argo,” “Gravity” and “Black Mass.” This year the studio has Gavin O’Connor’s “The Accountant” slated for the same early-October release granted to “Argo” and “Gravity”; Clint Eastwood’s “Sully” primed for release immediately after the festival concludes; and Ben Affleck’s “Live By Night” on the backstretch with an expected December qualifying run. Certainly they’ll come with something."

It's that last sentence that stands out.  He seems confident that WB will be back to Telluride this year. Problem is that none of the bog three WB possibilities seems like a strong candidate though there could be an under the radar player or two.

The Accountant stars Ben Affleck and is set to open Oct. 14. That's the right date but almost no one seems to think it's a Telluride-type film.

The Tapley post is here in its entirety:

http://variety.com/2016/film/in-contention/oscar-contenders-venice-telluride-toronto-film-festivals-1201825632/


The Accountant's second official trailer via YouTube


Sully stars Tom Hanks and is set to open almost immediately after TFF is over-Sept. 9.  That's essentially the same lead time that they took last year with Black Mass (9/18).   Director Clint Eastwood has been to Telluride before.  But, again, there are issues.  It's a really short time between T-ride and the open, Eastwood has lately avoided fall fests and last week Venice artistic director Alberto Barbera revealed in an interview with Screen Daily that:

"I’m sorry Warner Bros is missing this year because they have been our most dependable partner in recent years. I tried to get Sully, but it was simply not convenient for them as Clint Eastwood wouldn’t be coming and Tom Hanks would’ve been too busy promoting Inferno. That is my biggest and only regret this year."

So that doesn't bode well.

The Barbera interview is here:

http://www.screendaily.com/festivals/venice/venice-alberto-barbera-reveals-line-up-gems-regrets-and-this-years-big-oscar-contender/5107112.article

Finally, there's Ben Affleck's other WB film, the one he's directing.  The adaptation of Dennis Lehane's Live by Night.  The film may be positioned for awards consideration.  The reason we think that is that WB moved off of its original release to Jan. 13th.  Many are thinking that WB may well try to get the film a qualifying run in December.

I've heard that it's being test screened which would suggest that there is some nearly complete version but all of that is also pretty murky to hang your hat on for a guess at a Telluride berth.

Then there are a couple of wild cards.  One is a highly anticipated big name film: Collateral Beauty starring Will Smith and Kate Winslet.  It's directed by David Frankel and has a Dec. 16th release date.

The other is a smaller film that nonetheless has gained some pre-awards notice.  The Yellow Birds stars maybe the hottest young actor on the planet right now, Alden Ehrenreich and there is some awards buzz for his co-star Jennifer Aniston.  The Yellow Birds does not have an announced release date and IMDb seems to be torn as to whether it could appear in 2016 or 2017.  IMDb lists both films as being in post production with the last update for Collateral Beauty listed as April 22 and for The Yellow Birds it's Jan. 30.

Maybe one of these films shows up in September.



FREE FIRE TO CLOSE LONDON


Brie Larson in Free Fire (The Playlist)


We found out yesterday that Ben Wheatley's Free Fire would close the London/BFI Fest on Pct. 16.  The film was announced as an European premiere.  I haven't been thinking seriously about the Wheatley film as a Telluride candidate but the European Preem designation got me to thinking...could it be T-ride bound?

The film's first screening must already be scheduled somewhere besides Europe and that points to one of three fests: Telluride, Toronto and/or New York.  It could play one of those fests or any combination of them.

The greatest chance is a spot in the as yet unannounced field of the still 200+ titles that TIFF has yet to announce.  They're set to announce another batch tomorrow although it is my belief that they will focus on Canadian films then.

Of course, the film is distributed from A24 and stars Brie Larson which matches the same characteristics as a film from last year that you may recall: Room.

I'm still expecting A24 to have a presence at Telluride with Barry Jenkins Moonlight but the presence of Larson and Telluride can't be ruled out (at least yet) because of the success that Room experienced last year.


Coverage of the London announcement is here:

http://variety.com/2016/film/global/ben-wheatley-free-fire-brie-larson-close-bfi-london-film-festival-1201827442/

http://www.hollywoodreporter.com/news/brie-larson-starrer-free-fire-916072

http://theplaylist.net/ben-wheatleys-action-thriller-free-fire-close-bfi-london-film-festival-20160801/


FFC'S DISTANT VISION


FFC Works on Distant Vision (The Film Stage)


I have mentioned a couple of times that I believe that it is very possible that Francis Ford Coppola might return to Telluride this year to demonstrate, talk about, show his latest experiment in what he calls " kind of hybrid".  He also calls it "live cinema".  The project is named Distant Vision and Coppola has tackled a version of it twice now.  Once in Oklahoma City and most recently at UCLA.

I wouldn't be completely surprised if TFF #43 included a small demonstration of the project during the fest.

The Film Stage took a peak at what Coppola's been doing last week.  That story is here:

https://thefilmstage.com/news/watch-francis-ford-coppola-sharpens-distant-vision-in-rehearsal-for-next-film/

And a video of FFC at work and describing the project is here:

https://vimeo.com/175960112/3846472146


That's it for Tuesday.  Come back tomorrow for more...


Contact MTFB at:

mpgort@gmail.com

OR on Twitter @Gort2

OR check out Michael's Telluride Film Blog on Facebook:




Or leave a comment...