Welcome back from the weekend on this Monday...
CANNES AND THE REST OF THE LINEUP
Followers of the Cannes Film Fest know that the Palme d'Or lineup is probably not complete. It has been common in recent years that films have been added to the competition and other sections of the fest after the main announcement and I expect that to be the case again this year.
That said, it appears that the door has not completely closed on three films of particular interest to this writer that I've been eyeing as potential Cannes/Telluride crossovers for months.
First, the Netflix/Cannes stand off...which includes Alfonso Cuaron's Roma and Orson Welles' now completed The Other Side of the Wind.
Those doors where thought to be closed with last Thursday's announcement as Netflix withdrew any films from consideration for any section of the festival. The conflict centers on the Netflix distribution model and Cannes' insistence that competition films must have a French theatrical release.
Despite what happened Thursday, there are reports that there still may efforts to open the door for both of those films. Indiewire reported that Fremaux is still lobbying for Roma to play Cannes and that Welles' daughter is imploring Netflix and the fest to find some way that The Other Side of the Wind could still play.
Honestly, I don't have a good sense of how this will eventually shake out. My best guess is that the standoff remains in place and both Roma and Wind don't get added and may, instead screen at Venice and/or Telluride but I wouldn't wager any money on that.
The other film to mention is Terry Gilliam's The Man Killed Don Quixote. Its chance of playing Cannes seemed to be dashed by ongoing legal proceedings involving one of the film's past producers. However, there were hints this weekend that even that door might not be totally closed.
Again, if I were forced to guess, I wouldn't count on Gilliam's film making it to the Croisette. Its past history suggests that. Actually, it's past history suggests that it's chances at T-ride, Venice, New York and/or Toronto are all dicey at best.
MILOS FORMAN 1932-2018
Milos Forman has died at 86. His body of work as a director was smallish. IMDb lists 20 features with Forman directing but the list of 20 is formidable and includes two Best Direction Oscar wins for One Flew Over the Cuckoo's Nest and Amadeus (both of which also won Best Picture). In addition to those two classics Forman also directed Man in the Moon, Ragtime, The People vs. Larry Flynt and Hair.
Forman was in Telluride for the festival in 2001 with the re-release of Amadeus that screened that year.
Several of you probably know that I have occasionally said that Cuckoo's Nest is my favorite film (though that claim shifts from time to time).
Forman was notable for directing all manner never getting stuck in a particular genre or format. His versatility was remarkable.
Here's Indiewire's report on his passing.
More on Thursday...
EMAIL: mpgort@gmail.com OR michael_speech@hotmail.com
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Showing posts with label One Flew Over the Cuckoo's Nest. Show all posts
Showing posts with label One Flew Over the Cuckoo's Nest. Show all posts
Monday, April 16, 2018
Tuesday, August 30, 2016
Goodbye Gene / Una Busted / Oscar and Fall Film Anticipation / Reminders
Welcome to a bleaker Tuesday because Gene Wilder is gone...
GOODBYE GENE
Gonna take a moment here that's Telluride unrelated but not really. If part of what the Telluride Film Fest is supposed to be a celebration of the greatness of cinema past, then it's altogether appropriate that we mark the passing great in this space.
We all learned yesterday that the great Gene Wilder had died from complications associated with Alzheimer's. Like millions (and that's no hyperbole) it broke my heart.
Wilder was at the center of two films that absolutely the form the core of what I think a comedic film can be: Blazing Saddles (which I have said before, I don't think anyone, even Mel Brooks could get made today) and Young Frankenstein, which for my money is the funniest film comedy made in my lifetime and which Wilder co-wrote.
He and other great roles as well, The Producers and Willy Wonka are the two that come most quickly to mind. And don't forget that half great half not-so-great partnership with Richard Pryor.
Huge, fun films that would be fundamentally different if some other actor played those roles (Remember that Wilder was not the originally cast Waco Kid in Blazing Saddles, that was supposed to have been Gig Young...really...try to imagine that).
And one of my favorite little nodules about Wilder...he was the original Billy Bibbitt in the 1963 Broadway production of One Flew Over the Cuckoos Nest that starred Kirk Douglas as R.P. McMurphy, Ed Ames as Chief Bromden and William Daniels as Harding. The mind reels.
We lose famous and notable people every day. People that have entertained, educated and inspired us and it's easy to get inured to those losses. But Gene Wilder is in a different, more rarefied category. You could see it and feel it online when the news broke: an immense outpouring of loss and grief and remembrance.
I wonder if he knew how much he was loved. I'd like to think he did.
UNA BUSTED
Quite a bit of furor over the interwebs yesterday morning as Screen International/Screen Daily posted its thought-to-be-embargoed review for Una. The post was labeled a "Telluride Review".
The post/link disappeared fairly quickly but not until after it had caused a good deal of hubbub about the embargo breach.
Here's the original Tweet:
The other ramification, of course, is that it confirms that Una is on the TFF #43 lineup that will be announced on Thursday.
Una is a drama based on David Harrower's play Blackbird that was recently revived on Broadway starring Michelle Williams and Jeff Daniels. The film version features Rooney Mara and Ben Mendelsohn.
OSCAR AND FALL FILM ANTICIPATION
Two big previews were published yesterday. Todd McCarthy's Hollywood Reporter piece about anticipated fall films that included mention of a number of expected Telluride titles and McCarthy signals expectations of a Telluride play for some of them. and Vulture.com makes some pre-fall fest Oscar predictions that may give us an insight into how substantial TFF #43 might be on the upcoming awards season. First the McCarthy/THR piece.
McCarthy singles out Damien Chazelle's La La Land and Denis Villenueve's Arrival as probable Telluride plays. He also says Sully is "heavily rumored" for Telluride. McCarthy also says Francois Ozon's Frantz "looks to be set at all the festivals" (which includes T-ride). He then runs off a list of films that I'm expecting to play TFF: Moonlight, Una (see above), The B-Side, Into the Inferno and Norman: The Moderate Rise and Tragic Fall...
Also included in that list is the music doc I Called Him Morgan which leads me to think that McCarthy is signaling that it could be a Telluride play as well. I mentioned I Called Him Morgan as a Telluride possibility back a couple of weeks ago (Aug. 15) along with Beauties of the Night, Chasing Trane and American Anarchist. Morgan, Trane and Beauties were also mentioned here as possibilities on Aug. 10 in a post including TIFF announcement analysis that also suggested The Ivory Game, Water and Sugar and India in a Day. Could be that some of these make the Telluride program too.
McCarthy's THR piece is Here
Meanwhile, Kyle Buchanan at Vulture.com takes a stab at predicting six major Oscar categories. Here's the expected Telluride players in each:
Best Picture: Moonlight (which some predict gets a boost from the Nate Parker/Birth of a Nation rape controversy), Manchester by the Sea. He also mentions Sully, Bleed for This and La La Land.
Best Director: Eastwood/Sully, Chazelle/La La Land, Lonergan/Manchester, Jenkins/Moonlight all have a shot
Best Actor: Casey Affleck/Manchester, Tom Hanks/Sully, Ryan Gosling. La La Land, Miles Teller/Bleed for This
Best Actress: Amy Adams/Arrival, Emma Stone/La La Land, Isabelle Huppert/Things to Come
Best Supporting Actor: Aaron Eckhardt/Bleed for This
Best Supporting Actress: Michelle Williams/Manchester, Naomie Harris/Moonlight, Janelle Monae/Moonlight
Check out all of Buchanan's meditation at this link: Vulture
DON'T FORGET...
Rate films for The People's Telluride!
TOMORROW'S FINAL TEN (PLUS) BETS FOR 2016...
GOODBYE GENE
Gonna take a moment here that's Telluride unrelated but not really. If part of what the Telluride Film Fest is supposed to be a celebration of the greatness of cinema past, then it's altogether appropriate that we mark the passing great in this space.
We all learned yesterday that the great Gene Wilder had died from complications associated with Alzheimer's. Like millions (and that's no hyperbole) it broke my heart.
Wilder was at the center of two films that absolutely the form the core of what I think a comedic film can be: Blazing Saddles (which I have said before, I don't think anyone, even Mel Brooks could get made today) and Young Frankenstein, which for my money is the funniest film comedy made in my lifetime and which Wilder co-wrote.
He and other great roles as well, The Producers and Willy Wonka are the two that come most quickly to mind. And don't forget that half great half not-so-great partnership with Richard Pryor.
Huge, fun films that would be fundamentally different if some other actor played those roles (Remember that Wilder was not the originally cast Waco Kid in Blazing Saddles, that was supposed to have been Gig Young...really...try to imagine that).
And one of my favorite little nodules about Wilder...he was the original Billy Bibbitt in the 1963 Broadway production of One Flew Over the Cuckoos Nest that starred Kirk Douglas as R.P. McMurphy, Ed Ames as Chief Bromden and William Daniels as Harding. The mind reels.
We lose famous and notable people every day. People that have entertained, educated and inspired us and it's easy to get inured to those losses. But Gene Wilder is in a different, more rarefied category. You could see it and feel it online when the news broke: an immense outpouring of loss and grief and remembrance.
I wonder if he knew how much he was loved. I'd like to think he did.
UNA BUSTED
Quite a bit of furor over the interwebs yesterday morning as Screen International/Screen Daily posted its thought-to-be-embargoed review for Una. The post was labeled a "Telluride Review".
The post/link disappeared fairly quickly but not until after it had caused a good deal of hubbub about the embargo breach.
Here's the original Tweet:
But very quickly, this is what you found at the end of that link:
The other ramification, of course, is that it confirms that Una is on the TFF #43 lineup that will be announced on Thursday.
Una is a drama based on David Harrower's play Blackbird that was recently revived on Broadway starring Michelle Williams and Jeff Daniels. The film version features Rooney Mara and Ben Mendelsohn.
OSCAR AND FALL FILM ANTICIPATION
Two big previews were published yesterday. Todd McCarthy's Hollywood Reporter piece about anticipated fall films that included mention of a number of expected Telluride titles and McCarthy signals expectations of a Telluride play for some of them. and Vulture.com makes some pre-fall fest Oscar predictions that may give us an insight into how substantial TFF #43 might be on the upcoming awards season. First the McCarthy/THR piece.
McCarthy singles out Damien Chazelle's La La Land and Denis Villenueve's Arrival as probable Telluride plays. He also says Sully is "heavily rumored" for Telluride. McCarthy also says Francois Ozon's Frantz "looks to be set at all the festivals" (which includes T-ride). He then runs off a list of films that I'm expecting to play TFF: Moonlight, Una (see above), The B-Side, Into the Inferno and Norman: The Moderate Rise and Tragic Fall...
Also included in that list is the music doc I Called Him Morgan which leads me to think that McCarthy is signaling that it could be a Telluride play as well. I mentioned I Called Him Morgan as a Telluride possibility back a couple of weeks ago (Aug. 15) along with Beauties of the Night, Chasing Trane and American Anarchist. Morgan, Trane and Beauties were also mentioned here as possibilities on Aug. 10 in a post including TIFF announcement analysis that also suggested The Ivory Game, Water and Sugar and India in a Day. Could be that some of these make the Telluride program too.
McCarthy's THR piece is Here
Meanwhile, Kyle Buchanan at Vulture.com takes a stab at predicting six major Oscar categories. Here's the expected Telluride players in each:
Best Picture: Moonlight (which some predict gets a boost from the Nate Parker/Birth of a Nation rape controversy), Manchester by the Sea. He also mentions Sully, Bleed for This and La La Land.
Best Director: Eastwood/Sully, Chazelle/La La Land, Lonergan/Manchester, Jenkins/Moonlight all have a shot
Best Actor: Casey Affleck/Manchester, Tom Hanks/Sully, Ryan Gosling. La La Land, Miles Teller/Bleed for This
Best Actress: Amy Adams/Arrival, Emma Stone/La La Land, Isabelle Huppert/Things to Come
Best Supporting Actor: Aaron Eckhardt/Bleed for This
Best Supporting Actress: Michelle Williams/Manchester, Naomie Harris/Moonlight, Janelle Monae/Moonlight
Check out all of Buchanan's meditation at this link: Vulture
DON'T FORGET...
Rate films for The People's Telluride!
TOMORROW'S FINAL TEN (PLUS) BETS FOR 2016...
Contact MTFB at:
mpgort@gmail.com
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