Showing posts with label Family Photos. Show all posts
Showing posts with label Family Photos. Show all posts

Thursday, April 14, 2016

69th Cannes Film Festival Announces Its Lineup / Maybe No Warren

Good Thursday Everyone and MTFB is back.

After an unplanned layoff, I'm back in the saddle to post this Thursday and glad to be back.

69TH CANNES FILM FESTIVAL ANNOUNCES ITS LINEUP:



Here is the lineup announced from Thierry Fremaux in Cannes from early this morning (via Awards Daily):


Opening Night Film
Cafe Society – directed by Woody Allen
Competition
Toni Erdmann – directed by Maren Ade
Julieta – directed by Pedro Almodovar
American Honey – directed by Andrea Arnold
The Unknown Girl – directed by Jean-Pierre and Luc Dardenne
Personal Shopper – directed by Olivier Assayas
It’s Only The End Of The World – directed by Xavier Dolan
Ma Loute – directed by Bruno Dumont
Paterson – directed by Jim Jarmusch
Rester Vertical – directed by Alain Guiraudie
Aquarius – directed by Kleber Mendonca Filho
Mal de Pierres – directed by Nicole Garcia
I, Daniel Blake – directed by Ken Loach
Ma’Rosa – directed by Brilliante Mendoza
Loving– directed by Jeff Nichols
Bacalaureat – directed by Cristian Mungiu
Agassi – directed by Park Chan-Wook
The Last Face – directed by Sean Penn
Sieranevada – directed by Cristi Puiu
Elle – directed by Paul Verhoeven
The Neon Demon – directed by Nicolas Winding Refn
Un Certain Regard
Varoonegi – directed by Behnam Behzadi
Apprentice – directed by Boo Junfeng
Voir Du Pays – directed by Delphine Coulin and Muriel Coulin
La Danseuse – directed by Stephanie Di Giusto
Clash – directed by Mohamed Diab
La Tortue Rouge – directed by Michael Dubok de Wit
Fuchi Bi Tatsu – directed by Fukada Koji
Omar Shakhsiya – directed by Maha Haj
Me’Ever Laharim Vehagvaot – directed by Eran Kolirin
After The Storm – directed by Kore-Eda Hirokazu
Hymyileva Mies – directed by Juho Kuosmanen
La Large Noche de Francisco Sanctis – directed by Francisco Marquez & Andrea Testa
Caini – directed by Bogdan Mirica
Pericle Il Nero – directed by Stefano Mordini
The Transfiguration – directed by Michael O’Shea
Captain Fantastic – directed by Matt Ross
Uchenik – directed by Kirill Serebrennikov
Outside Competition
The BFG – directed by Steven Spielberg
Money Monster – directed by Jodie Foster
The Nice Guys – directed by Shane Black
Gok Sung – directed by Na Hong-Jin
Special Screenings
Gimme Danger – directed by Jim Jarmusch
The Train to Busan – directed by Yeon Sang-Ho
A Chad Tragedy – directed by Mahamat-Saleh Aroun
The Death of Louis XIV – directed by Albert Serra
L’Ultima Spiaggia – directed by Thanos Anastopolous and Davide Del Degan
Exile – directed by Panh Rithy
Le Cancre – directed by Paul Vecchiali





Some random thoughts regarding the announced films Telluride...remember that Cannes and TFF commonly share seven-ish films by average and that usually the majority of the films come from the competition slate.

Competition films that would seem to have the most likely chance of making the Telluride lineup are:

Arnold's American Honey
The Dardennes' The Unknown Girl
Assasyas" Personal Shopper 
Dolan's It's Only the End of the World
Nichols' Loving
Mungiu's Bacalaureat (Family Photos)
Penn's The Last Face


As of today none of the titles from Un Certain Regard or the Out of Competition or Special Screening selections jump out as big possibilities.  That could change when Cannes kicks off on May 11th.  We could also see  some titles show up in the Directors Fortnight that could intrigue T-ride programmers.




MAYBE NO WARREN



There was a good deal of speculation this week regarding the Warren Beatty Howard Hughes project. Reports that it was done.   Reports that it was NOT bound for Cannes but could be looking at the fall fests (intriguing!!!) and finally, word purportedly from Beatty himself that seems to cast doubt on ANY fest screening.  The last coming from ShowBiz411 quoting Beatty's response to a "fall festival" question with the response "Why would I want to do that?"

Sooo...it seems Beatty is either playing a bluff or...the film won't play any fest (most likely).  Perhaps Beatty might not regard New York or AFI a "fall fest; which might allow either of those fests to screen the film.

But taken at face value, it doesn't sound like the highly anticipated film will be at Telluride or anywhere else for that matter.

Here's the coverage from ShowBiz411:



 That's all for Thursday...come back for more on Monday...


Contact me at:

michael_speech@hotmail.com OR

mpgort@gmail.com OR

via Twitter @Gort2 OR to




Wednesday, March 23, 2016

Cannes Poster Released / Multiple Sources Guess at the Cannes' Lineup

Good Thursday to Everyone...


CANNES POSTER RELEASED



The 69th Cannes Film Festival released its official poster this week as you can see above.  Many observers have noted that the poster art is inspired by Jean Luc Godard.

Variety covered the release of the poster here:

http://variety.com/2016/film/news/cannes-unveils-official-poster-with-nod-to-jean-luc-godard-1201735029/


MULTIPLE SOURCES GUESS AT THE CANNES' LINEUP



We've been seeing a good deal of speculation over the past couple of weeks about American films that might make their way to the Croisette for Cannes in May.  Money Monster, Cafe Society, The Nice Guys, The BFG, The Last Face and  Loving are among the American films already confirmed or that have serious heat about their chances.

As we get closer to the actual announcements, speculation is getting more detailed.  Screen Daily has a very extensive piece that spans the film world and offers a broad array of possibilities.  Among them that initially seem Telluride-ish are(grouped in the same fashion that Screen Daily has used):

UK/Irish: American Honey, The Sense of an Ending, The Secret Scripture
U.S.: Loving, The Story of Your Life, The Last Face, Sully (yes...Sully)
Canada: It's Only the End of the World
France: Personal Shopper
Germany: The Beautiful Days of Aranjuez
Spain: Julieta, A Monster Calls
Eastern Europe: Family Photos
Benelux: The Unknown Girl
Middle East: Oppenheimer Strategies
Latin America: Neruda
Australia: Lion

The complete Screen Daily post is here:

http://www.screendaily.com/news/cannes-whos-in-the-running/5101702.article#


Meanwhile, Pete Hammond from Deadline throws his two cents into the pot:

http://deadline.com/2016/03/cannes-film-festival-2016-movies-speculation-sean-penn-woody-allen-steven-spielberg-1201721737/

Similarly, Todd McCarthy from The Hollywood Reporter also covered the Cannes spec with a post this week:

http://www.hollywoodreporter.com/news/todd-mccarthys-cannes-preview-american-877068


And finally, The Jigsaw Lounge has posted "Odds for Winning" the Palme d'Or already.  One assumes that the odds also give some indication of the likelihood of specific films making the competition lineup.  Of note:

Almodovar's leading odds of 3-1 for Julieta
Arnold's American Honey at 18-1
Larrain's Neruda at 20-1
Penn's The Last Face at 22-1
The Dardennes The Unknown Girl at 25-1
Dolan's It's Only the End of the World also at 25-1
Mungiu's Family Photos at 28-1
Assassyas' Personal Shopper at 33-1
Nichols' Loving at 33-1
Eastwood's Sully at 35-1


The complete odds (and it's an extensive list) are here:

http://www.jigsawlounge.co.uk/film/reviews/cannes2016/



Contact me at:

michael_speech@hotmail.com OR

mpgort@gmail.com OR

via Twitter @Gort2 OR to

Thursday, March 17, 2016

More on the Cannes Film Festival / Creating a Journal / Jon Stewart's Latest Gig Goes to Tribeca

Good Thursday America; how are you?


MORE ON THE CANNES FILM FESTIVAL



Jeff Wells/Hollywood Elsewhere is the latest media pundit to chime in with a look at some of the films that he thinks could play in May at the Cannes Film Festival.  Wells' limits his post from yesterday to what he terms "the big bets-the possible awards-season contenders that may not open until the fall".

On his checklist of Cannes' possibles that fit that description are:

Martin Scorsese's Silence
Oliver Stone's Snowden
Damien Chazelle's La La Land
Kenneth Lonergan's Manchester-by-the Sea
Woody Allen's Untitled 1930's set comedy
Nicholas Winding Refn's Neon Demon
Juan Antonio Bayona's A Monster Calls
Warren Beatty's Untitled Howard Hughes film
Asghar Farhadi's The Salesman
Pedro Alamodovar's Julieta
Cristian Mungiu's Family Photos

Wells' also talks a good bit about Jodie Foster's Money Monster which will open later this spring.


I'd probably handicap The Salesman as the most likely Telluride prospect from the Wells' list.  Least likely would the Lonergan as it played Sundance as well as  Beatty's Hughes picture, Allen's comedy, Stone's Snowden and Scorsese's Silence but never say never.

Here's the link to the HE post:

http://www.hollywood-elsewhere.com/2016/03/hes-cannes-16-excitement-list-doesnt-include-money-monster/

Meanwhile, Roger Freidman from Showbiz 411 also comments on potential Cannes films and there is a good deal of crossover with the Hollywood Elsewhere list including Beatty, Allen, Stone and Foster.  Take a look at that post here:

http://www.showbiz411.com/2016/03/11/cannes-talk-not-just-warren-but-snowden-woody-george-julia-ryan-gosling-big-studio-hits


Finally, Awards Watch posted a Cannes piece earlier this week that, among other things, reflects a bit of confusion about exactly when they will be announcing their competition lineup.  It's probably April 14th but...

Linked here:

http://awardswatch.com/news/2016-cannes-film-festival-news-and-details/


CREATING A JOURNAL



I have undertaken to create a journal that categorizes the films that have played at each of the Telluride Fest that I have attended and provides information such as their distributor and what other fests that a film played at prior to and after their bow at Telluride.  Mostly this is so that I can use that as reference material in my detective work.  I'm about half way through (we began attending TFF in 2006).

One thing that I have discovered is that the occurrence of a film having appeared in the U.S. before playing at Telluride happens occasionally.  For instance, this past year's presentation of Peggy Guggenheim: Art Addict played in a number of U.S. festivals including its premiere at the Tribeca Film Fest in April last year.

Other recent films that have appeared in the U.S. before playing at Telluride include:

2015's Sembene!
2014's Keep On Keepin' On (Tribeca)
2013's Sadourni's Butterflies (Seattle), Milius (SXSW) and My Dior (Tribeca)

So, the Telluride policy of North American premieres, which we knew was sometimes waived, may actually be waived a bit more often than I thought.


JON STEWART'S LATEST GIG



 And speaking of films from the Tribeca Film Fest, Jon Stewart who brought his feature film directing debut, Rosewater, to Telluride in 2014, is executive producing a Syrian refugee documentary that will be playing as a part of the Tribeca lineup.  The film is entitled After Spring and is set to World Premiere at Tribeca next month according to The Playlist.  Could Stewart play there and then return to Telluride with in September?

The Playlist post is here:

http://www.indiewire.com/article/after-spring-movie-trailer-poster-syrian-refugee-crisis-tribeca-20160306





Contact me at:

michael_speech@hotmail.com OR

mpgort@gmail.com OR

via Twitter @Gort2 OR to







Monday, March 14, 2016

Opening the Cannes...Speculation / The Film Stage's 50 Top Films of the Decade (So Far)

Welcome to Monday...

OPENING THE CANNES...SPECULATION




Over the years of writing this blog I have made the repeated claim that we always need to pay attention to what the Cannes Film Festival selects for its various programs.  The connection between Cannes and Telluride runs deep every year so if you're serious about trying to get a handle on the films that could be featured over Labor Day weekend, the Cannes lineup is a great place t begin that meditation.  It's also wisest to focus on the films that are in Palme d'Or competition.  That's not to say that T-ride doesn't chose films that play in other programs at Cannes such as Un Certain Regard, Director's Fortnight, etc. but most of the films that crossover between the festivals are competition films.

Last year was unusual as it had the fewest films shared by the french fest and Telluride in many a year.  Only six films played both places. (Offsetting that was an increase in the number of films that played both Venice and Telluride- eight, which is way above the average).

Telluride and Cannes shared: Rams, Carol and Son of Saul from the Palme competition lineup as well as three films from Cannes' documentary section: Hitchcock/Truffaut, Ingrid Bergman: In Her Own Words and Sembene!

Here's a look at the crossover between the two fests in the period that I have been attending the complete TFF:

2014: Competition films: Two Days, One Night, Mommy, The Homesman, Mr. Turner, Foxcatcher, Wild Tales and Leviathan.  UCR film: Salt of the Earth and Red Army from Cannes' Special Screenings.  Total crossover: Nine films

2013: Competition: Blue is the Warmest Color (Palme d"Or winner), Inside Llewyn Davis, Nebraska, The Past.  UCR: Manuscripts Don't Burn, The Missing Picture, Out of Comp: All Is Lost, Director's Fortnight: Jodorowsky's Dune, International Critic's Week: The Lunchbox.  Total crossover: Nine films.

2012: Competition: Amour (Palme d'Or winner), Rust and Bone, Paradise: Love, The Hunt. Director's Fortnight: No, Midnight Madness: The Sapphires.  Special Screening: The Central Park Five.  Others: Final Cut, Me and Me Dad, Journal de France.  Total crossover: Ten films.

2011: Competition: Footnote, The Kid with a Bike, The Artist, Le Havre, We Need to Talk to Kevin. Total crossover: Five films.

2010: Competition: Of Gods and Men, Biutiful, Poetry, Another Year, The Prince of Montpensier.  Out of Competition: Carlos, Tamara Drewe.  Special Screening: Inside Job.  Total crossover: Eight films.

2009: Competition: The White Ribbon (Palme d'Or winner) Bright Star, Fish Tank, A Prophet and Vincere.  Total crossover: Five films.

2008: Competition: Gomorrah, Waltz with Bashir, UCR: Hunger, O'Horten, Tulpan.  Out of Competition: The Good, the Bad and the Weird.  Total crossover: Six films.

2007: Competition: 4 Months, 3 Weeks, 2 Days (Palme d'Or winner) . The Diving Bell and the Butterfly, Persepolis.  UCR: The Band's Visit, Terror's Advocate.  Total crossover: Five films.

So, over that space of time, the two film festivals average sharing 6-7 films each year with four of them being competition films.  So, you can see that knowing what plays at Cannes is really a very good list of films to begin working with if you're trying to figure out a possible Telluride lineup.

Consequently, speculation about the Cannes lineup from smart writers is where you should start your investigation.  The main Cannes announcement is expected to come sometime around Apr. 16-18 (there seems to be a bit of uncertainty about this).  We start this game with a list of 20 films from The Playlist that they suggest might be Cannes possibles.  That complete post is here:


Telluride prospects from this list include:

American Honey
Family Photos
La La Land
Loving
Personal Shopper
Salt and Fire
The Unknown Girl

You can catch some Cannes speculation from The Guardian in this podcast:



THE FILM STAGE'S 50 TOP FILMS OF THE DECADE (SO FAR)



The Film Stage posted this article this week with their evaluation of the 50 best films that have been released this decade.  It's fun.  Take a look at that list/article here:


Telluride films that make their list and their positions are:

48) The Turin Horse
39) Ida
33) Leviathan
30) Another Year
23) Shame
10) Inside Llewyn Davis
7) Amour
5) A Separation
2) Under the Skin


That's it for this Monday...come back for more on Thursday:

Contact me at:

michael_speech@hotmail.com OR

mpgort@gmail.com OR

via Twitter @Gort2 OR to