FINAL Oscar Predictions / The Telluride Effect Part Two / Oscar Experts Final Predictions

Thursday before Oscar...


FINAL OSCAR #91 PREDICTIONS

Best Picture:Roma  (Could be: Green Book)
Direction: Alfonso Cuaron/Roma (Could be: Spike Lee/BlacKkKlansman)
Actress: Glenn Close/The Wife (Could be: Olivia Colman/The Favourite)
Actor: Rami Malek/Bohemian Rhapsody (Could be: Christian Bale/Vice)
Supporting Actress: Regina King/If Beale Street Could Talk (Could be: Rachel Weisz/The Favourite OR Amy Adams/Vice)
Supporting Actor: Mahershala Ali/Green Book (Could be: Richard E. Grant/Can You Ever Forgive Me?)
Original Screenplay: Green Book (Could be: The Favourite)
Adapted Screenplay: BlacKkKlansman (Could be: Can You Ever Forgive Me?)
Animated Feature: Spiderman: Into the Spiderverse (Could be: Incredibles 2)
Documentary Feature: Free Solo (Could be: RBG)
Foreign Language Film: Roma (Could be: Cold War)
Original Song: Shallow/A Star Is Born (Could be: All the Stars/Black Panther)
Original Score: Black Panther (Could be: If Beale Street Could Talk)
Cinematography: Roma (Could be: Cold War)
Film Editing: Vice (Could be: Bohemian Rhapsody)
Production Design: The Favourite (Could be: Black Panther)
Costumes: Black Panther (Could be: The Favourite)
Makeup/Hair: Vice (Could be: Mary Queen of Scots)
Visual Effects: First Man (Could be: Avengers: Infinity War)
Sound Editing: Bohemian Rhapsody (Could be: First Man)
Sound Mixing: Bohemian Rhapsody (Could be: First Man)
Animated Short: Bao (Could be: Animal Behavior)
Documentary Short: Period. End of Sentence (Could be: End Game)
Live Action Short: Marguerite (Could be: Any of the others)


THE TELLURIDE EFFECT PART TWO

I wrote on Monday about "The Telluride Effect", the notion that a film now almost has to play Telluride to win Best Picture at the Oscars.  I reminded readers that the last decade seems to provide evidence for the theory with nine of the last ten winners having played TFF on their way to Oscar glory.

I also suggested that there might be five reasons that it could be true:

1) Reputation
2) Demographics
3) Ties to The Academy
4) Timing
5) Media Presence Increase

So, I asked a number of friends and acquaintances from the industry that are usual TFF attendees and asked them two questions:

1) Is the "Telluride Effect" real?
2) If so, why?


The first question drew mixed responses.

Film maker, Script Magazine contributor and long time Telluride Film Fest attendee Christopher Schiller writing that "it is certainly real from my observations" while Variety's Kristopher Tapley suggests that "It's potentially real."

Other respondents weren't as quick to sign on to the existence of The T-ride Effect.  Mark Johnson of Awards Circuit saying "I think it may just be lucky coincidence".  Indiewire's Eric Kohn came close to seconding Johnson's assessment claiming his belief that "it's arbitrary.

Variety's Peter DeBruge told me that it does exist as a self-fulfilling prophecy of sorts"  but The Hollywood Reporter's Scott Feinberg said that "there is no way to know".

To the extent that it does or might exist, many of the answers I got to the second question as to why underscored the five points I made in Monday's post.

Telluride's reputation and its programming prowess were cited by Sasha Stone of Awards Daily as she said that it is a combination of factors including "the selection committee".    Schiller says that the fest has "always had from the very first one onward" the "class of selection" and that "producers who calculate a ride to the awards...consider getting the 'right' exposure from Telluride" 

Both Schiller and DeBruge take pains to say that they don't believe any of the "effect" is the conscious design of the TFF programmers.

In as far as my second and third points, that Telluride has great demographics including a significant Academy presence, those sentiments were echoed by Tapley who commented on "the concentration of Academy members that are present" and Stone who says that the "effect" may be true in part because of "the small amount of people who attend...that make it a perfect launching site for Oscar movies."

On to my fourth observation that some of it has to do with timing.  About this there was a good deal of agreement with the general notion but the specifics differed a bit.  Schiller pointed to the festival's benefiting from the decision of the Motion Picture Academy to move the date of the Oscar ceremony forward three weeks from the end of March to the end of February or early March.  That change came in 2003.  DeBruge mentions it's fortuitous placement between Venice and Toronto but Mark Johnson had, perhaps the most pointed comment concerning timing and the Best Picture Oscar saying that screening a film at Telluride mean that producers "have time for their film to take heat and recover from it."

My fifth point was the increase in the press coverage that has happened over the last decade plus.  Again, Peter DeBruge underscored my point in his commentary saying,  "The phenomenon is bolstered by...the steep increase in press coverage at the festival."  He went on to write, "Now that many more critics-and Oscar bloggers- attend, these movies now get early adulatory coverage, as opposed to getting lost among the 300 or so movies unspooling at Toronto a week later."

So, I felt good about the things I wrote on Monday but there were a couple of other tidbits among the responses that I felt merited mentioning. 


DeBruge added that not all plans to take advantage of The Telluride Effect, if in fact it does exist, go as planned.  For every Spotlight, Moonlight or Shape of Water, TFF can also be a place where those awards dreams sometimes crash.  He says, "let's not forget the many movies that miscalculated their own merits and were met with mixed reactions/downright disappointment by the discerning viewers in the Colorado mountains"  Among the films he mentioned: Labor Day, Hyde Park on Hudson and Downsizing.

It was Schiller who posed the obvious question that I overlooked which was "Will it last?"  which is a great question.  Chris has some of the same thought that I do suggesting that the changing particulars of the awards season may mean that the "effect" may be limited saying, "the quality structure that is the heart of Telluride may not align with the awards shows' proclivities in the future."

My take on Schiller's note here is what I said Monday in my second point which is that with the conscious move by the Academy to expand and diversify TFF's effect may change as a result.

Finally, leave it to THR's Scott Feinberg to put it most succinctly, "as long as Telluride films keep winning Best Picture, I expect distributors will continue to treat the fest as a must-go place."

Will that happen Sunday night?  If you read my predictions above...I think so....but it's tight people...IT IS TIGHT...

My thanks to:

Peter DeBruge/Variety
Scott Feinberg/The Hollywood Reporter
Mark Johnson/Awards Circuit
Eric Kohn/Indiewire
Sasha Stone/Awards Daily
Kristopher Tapley/Variety
Christopher Schiller/ScriptMag.com


OSCAR EXPERTS FINAL PREDICTIONS

Here are links to the current "Final" predictions from a slew of Oscarologists:


Kristopher Tapley/Variety-InContention

Erik Anderson/Awards Watch

Clayton Davis/Awards Circuit

Andrew Carden/The Awards Connection

Scott Feinberg/The Hollywood Reporter

Steve Pond/The Wrap


That's all for MTFB for today.  I'll be back Monday with an Oscar breakdown.


EMAIL:  mpgort@gmail.com OR michael_speech@hotmail.com

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The Telluride Effect Part One / Berlin Film Fest Closes / Ken Burns' Country / Spotlight on Free Solo

Hope everyone had a pleasant weekend and is having a great President's Day.

THE TELLURIDE EFFECT PART ONE

Oscar night for 2019 is now just days away.  Final Oscar predictions from every source imaginable will be coming at you fast and furious over the next six days including in this space in Thursday's blog post.   

Some of the experts may mention "The Telluride Effect".  For those of you who are frequent readers here, the expression likely doesn't need any explanation.  For those that may not have bumped up against the term, here's an definition of sorts...The Telluride Effect suggests that for a film to win Best Picture at the Oscars it will have had to play at the Telluride Film Festival.  It does not mean the film has had to premiere at Telluride, only that it screens as a part of the festival's lineup.

The term (I think Sasha Stone at Awards Daily is actually the person who coined it) has emerged over the last decade-plus as, with one exception when The Hurt Locker won as 2009's Best Picture.

Here's the lowdown for those years:

2008: Slumdog Millionaire (premiered at Telluride)

2009: The Hurt Locker (no T-ride play)

2010: The King's Speech (premiered at Telluride)

2011: The Artist (premiered at Cannes then played Telluride)

2012: Argo (premiered at Telluride)

2013: 12 Years a Slave (premiered at Telluride)

2014: Birdman (premiered at Venice then played Telluride)

2015: Spotlight (premiered at Venice then played Telluride)

2016: Moonlight (premieres at Telluride)

2017: The Shape of Water (premiered at Venice then played Telluride)

So there it is.  Nine of the last ten Best Picture winners and the last eight in a row have played Telluride and, as you can see, the most common route is to either premiere at Telluride originally or, of late, do the Venice to T-ride.  Only in the case of The Artist in the last decade has a film run through Cannes/Telluride to a Best Picture win.

This year, among the eight films nominated for Best Picture, the Telluride Effect's continuation depends on either Alfonso Cuaron's Roma or Yorgos Lanthimos' The Favourite.  If you read most Oscar experts you'll have seen that many feel Roma will win Sunday night.  I can't think of any that think The Favourite will be the big winner.  

Roma's chances appear to be reasonable.  I'd say something better than 50/50 but certainly not a lock.  Many prognosticators think Peter Farrelly's Green Book could win Sunday night.  Other, more distant possibilities might be BlacKkKlansman and Black Panther but most think it's down to Roma and Green Book.

I'll be on record on Thursday...but...hint, hint...I'm probably going to stick with the notion that The Telluride Effect continues to hold sway.

So...if it really exists, why?  You might ask.  I have a few ideas:

1) Reputation.  The fest has this string because they consistently program great film.  I think that attendees and peeps from the business pay attention to what Tom Luddy, Julie Huntsinger and crew secure to screen over Labor Day.

2) Demographics:  The fest, it seems to me, has a clientele that, at some level, mirrors the Academy.  That's probably changing some over the past few years as the Academy has made a strong effort to expand size and diversity.

3) And speaking of the Academy...TFF and AMPAS have had a significant relationship for a while and a good chunk of the attendees each year are members of the Academy.

4) Timing:  Telluride is in a sweet, sweet spot on the calendar.  Situated at the beginning of September and between Venice and Toronto is great positioning in terms of  setting the table for the fall films that will likely dominate the Oscar conversation.

5) The media has noticed.  There has always been a media presence since I started going to Telluride (since 2006) but over the last decade that seems to have increased dramatically.  As Telluride has, at the very least coincidentally, become a harbinger for what could occur during Oscar season, the press contingent seems to have become larger making for a more dramatic Telluride impact on the awards season.  At least it feels that way to me.

There are probably other reasons but these are the five that come to mind.  I know that Sasha Stone also has frequently suggested that the AMPAS choice a few years back to move the Oscars to earlier in the year has magnified the effect of fall film fests including Telluride.

Does it happen again this year?  For a big chunk of this Oscar season, I didn't think it would but as I said above, I think it's now more likely than not but it sure isn't a lock.  

I'll have more about The Telluride Effect in Thursday's post...

BERLIN FILM FEST CLOSES

The Berlin Film Festival concluded this week with the naming of Nadiv Lapid's Synonyms as the recipient of the Golden Bear, the fests more important prize.  Also winning awards: By the Grace of God, System Crasher, I Was at Home...But, and So Long My Son.

As I have written here, it isn't uncommon for Telluride to program a couple of films that premiere at Berlin.  Last year, for example, Dovlatov played Berlin first.  In 2017, A Fantastic Woman, The Other Side of Hope and Hostages all played the German fest prior to Telluride bows.

With its Silver Bear win, Francois Ozon's By the Grace of God may have moved to the front of the line for Berlin titles that could make the TFF #46 lineup.  A couple of other titles that I thought we should keep an eye lost some of their luster in that regard owing to mediocre/tepid critical response.  I'm referring to Lone Scherfig's The Kindness of Strangers and Agnieska Holland's Mr. Jones.

I have linked stories about Berlin;s awards here from

Screen International

Variety

Deadline

And critical roundups for the Berlin films are linked here from:

Metacritic

Reini Urban's Compilation


KEN BURNS' COUNTRY

I wrote a couple of weeks back about Ken Burns' upcoming PBS multi-part documentary about American Country/Western music and the possibility some of that might screen at Telluride prior to its bow on PBS in September.

PBS posted a 60 second teaser for the doc featuring Marty Stuart talking about the Grand Ole Opry and its place in Nashville and Country music history.  Here it is thanks to the magic of YouTube:

SPOTLIGHT ON FREE SOLO

I have had RBG at the top of my list to win the Best Documentary Oscar on Sunday night since the nominations were announced but the last week or so, there seems to be a real undercurrent in favor of Free Solo which, of course, played Telluride last Labor Day.  Honestly, between now and Thursday when I put up my final Oscar predictions, I may switch to Free Solo to win.

No less a light than Indiewire's Anne Thompson makes a compelling case for that possibility in the story she put up on Friday.  It's not really the focus of Anne's story but shows up in it.

You can see what Anne and what the film makers and climbers had to say to Anne as well by clicking here.


That's today's MTFB.  I'll have a Part Two about The Telluride Effect on Thursday in addition to my final Oscar picks for Sunday night's extravaganza.

EMAIL:  mpgort@gmail.com OR michael_speech@hotmail.com

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