Showing posts with label Anne Thompson. Show all posts
Showing posts with label Anne Thompson. Show all posts

Monday, July 15, 2019

Little Women May Be Off the Table / Hollywood Elsewhere Clues? / Looking Back to Look Forward

Welcome back from the weekend...


LITTLE WOMEN MAY BE OFF THE TABLE



I was listening to Indiewire's Eric Kohn and Anne Thompson's ScreenTalk podcast this weekend (they posted it last Friday) as they had teased some discussion of fall films and they do, in fact, talk about the films that they're hearing will be involved in festivals.  The most interesting comment comes from Thompson who suggested that Greta Gerwig's Little Women isn't likely to play any of the festivals.  The pronouncement isn't necessarily definitive but Anne Thompson is going to know more about these things than I am.

If the film doesn't play then that disappoints as I am genuinely curious to see what Gerwig and her crew do with the classic tale.  I have had Little Women on all three of this summer's Ten Bets with it at the #4 spot last Friday but you can expect that will be different when this Friday's Ten Bets goes up.

Among the films listed by Thompson and Kohn that they say are expected to play at some of the fall fests are: Motherless Brooklyn, A Hidden Life, The Report (after its debut at Sundance), A Beautiful Day in the Neighborhood, The Lighthouse, Pain and Glory and Jojo Rabbit.

The complete ScreenTalk Podcast is linked here.



HOLLYWOOD ELSEWHERE CLUES?



Jeff Wells at Hollywood Elsewhere had a couple of posts Friday and Saturday that, if nothing else, are interesting from a TFF speculative standpoint.

The first post on Friday talked about the Indiewire podcast that I have referenced above.  Wells suggests that he hasn't heard the same notion about Little Women.

Additionally, at the end of that post he rattles a list of films he calls "fall hotties" which include: The Irishman, A Beautiful Day in the Neighborhood, Motherless Brooklyn, Fair and Balanced, Harriet, The Last Thing He Wanted, The Laundromat, Torrance, Blackbird, Judy and The Aeronauts.

That post is linked here.

The following day (Saturday) Wells posts a continuation on his meditation entitled "If Wanting These Films to Play Telluride Is Wrong...".   Wells had received a response from someone he refers to as a "friend" suggested that NONE of the films that Wells had listed as his "fall hotties" would play TFF.

If true, that would nuke some titles that I have been thinking could/would be TFF bound most notably Motherless Brooklyn, A Beautiful Day in the Neighborhood and Judy.

Wells takes exception to the blanket characterization but who knows?

Further, Wells' source suggests that Netflix will probably have a couple of films at Telluride that Wells doesn't include on his "fall hotties" list.  By process of elimination the likely films would be Fernando Meirelles The Pope and the still untitled Noah Baumbach project.

Wells' Saturday post is linked here.



LOOKING BACK TO LOOK FORWARD



I have been spooking around my "Future Telluride" file lately.  That's the folder where I save articles about films when they're announced that feel like something I should keep an eye on as potential Telluride players in their future.

For hoots, this morning I took a quick inventory of films that I have in their that seem to be actively possible for TFF #46.  The earliest entry I have in there of a film that might make this year's SHOW is Lucy in the Sky which I put in the folder in May of 2015.

Others in chronological order:

The Irishman
Ad Astra
The Goldfinch
The Glorias: A Life on the Road
Judy
Ema
Bergman Island
Just Mercy
Harriet
A Beautiful Day in the Neighborhood
Falling
Blackbird
The Good Liar
Molly
1917
Untitled Todd Haynes Project (Dark Water/Dry Run?)
John Prine: Hello In There
Nomadland
Varda by Agnes
Light of My Life


It'll be fun to see if any and/or how many of these titles actually get announced in a few eeeks for Telluride.


That's the story for this Monday.  I'll have more tomorrow.

EMAIL:  mpgort@gmail.com OR michael_speech@hotmail.com

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Monday, August 3, 2015

"Truth" is Coming / Abi Morgan on "Suffragette" / Screen Talk Focuses on Film Festivals

The weekend is in your rear view...It's Monday people...


"TRUTH" IS COMING


Cate Blanchett and Robert Redford in "Truth"


I have James Vanderbilt's "Truth" listed on last Friday's latest version of the "Ten Bets" list at #10.  The "based on actual events" drama stars Robert Redford as CBS newsman Dan Rather and Cate Blanchett as CBS news producer Mary Mapes and focuses on the 2004 election year news story that claimed that George Bush's Vietnam era National Guard service was a sham.

The story all but wrecked Rather's career.  The film is based on Mapes book, "Truth and Duty".

The big new over the weekend was that Sony Pictures Classics, which is handling the film's distribution, has dated it for limited release on Oct. 16th landing it squarely in the awards season melee.  The date is certainly compatible with a festival screening at either Telluride or Toronto or both.  Even the New York Fest  is a possibility.

Here's coverage of the announcement including a Rope of Silicon story that suggests the Telluride possibility:

http://variety.com/2015/film/news/cate-blanchett-robert-redford-rathergate-truth-1201554377/

http://www.ew.com/article/2015/07/31/truth-cate-blanchett-robert-redford-release-date?hootPostID=5783b5ca06b89499d8ca4d092bef88b0

http://www.hollywoodreporter.com/news/robert-redfords-dan-rather-scandal-812469

http://www.thewrap.com/cate-blanchett-and-robert-redfords-dan-rather-drama-truth-gets-fall-release/

http://www.ropeofsilicon.com/first-look-sony-classics-dates-truth-in-oscary-october-slot/


On an interesting note, Jeffrey Wells at Hollywood Elsewhere now suggests that "Truth" may not be as much of a lock for Telluride as I have thought.  Look at the Wells; post here:

http://www.hollywood-elsewhere.com/2015/08/walk-right-back/


ABI MORGAN ON "SUFFRAGETTE"


"Suffragette" trailer via YouTube


Screen writer Abi Morgan sat down recently with John Nathan of the Financial Times and talked abut her new play as well as the film that she wrote that currently sits at #8 on the latest "Ten Bets" list. "Suffragette" stars Carey Mulligan and Helena Bonham Carter and was directed by Sarah Gavron.  The film is due to hit theaters on Oct. 23 after having shown at the London Film Fest for its "European Premiere" on Oct. 7.

The film focuses on the struggle to gain the vote in early 20th Century Britain.  That interview is here:

http://www.ft.com/intl/cms/s/2/c9ac0654-3059-11e5-91ac-a5e17d9b4cff.html#axzz3hZVmBeFF



SCREEN TALK FOCUSES ON FILM FESTIVALS






This week's edition of Anne Thompson and Eric Kohn"s Screen Talk podcast spends a good deal of time talking about films that have been announced for Toronto and Venice and, as a result, talk about a number of films that will or could make the Telluride lineup.

Oddly, they reference Telluride in relation to Jay Roach's "Trumbo" which is not at all probable for T-ride as it is announced for Toronto as a world premiere.

Here's the link to the podcast:

http://www.indiewire.com/article/podcast-how-the-toronto-lineup-changed-oscar-season


That'll do for Monday...more tomorrow...

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Email me at michael_speech@hotmail.com or mpgort@gmail.com

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Monday, June 8, 2015

Looking Back We Find Something That Sounds Familiar/Toronto Sun Article Hits Closer to the Mark/Anne and Eric Look Ahead

Good Monday All!

LOOKING BACK WE FIND SOMETHING THAT SOUNDS FAMILIAR



I spent some time this weekend looking back at last summer's Toronto/Telluride drama.  I wanted to remind myself how that had played out in a number of ways.

One of the things that I remembered and re-visited was the reaction from Sony Pictures Classics Tom Bernard and his characterization that the policy TIFF adopted last year was "imperialistic". Interestingly, as I was reviewing some of my posts and the posts of others that I linked, I discovered that Bernard may well have provided the template for this year's "adjustment".  Bernard is credited in the Toronto Star (and subsequently in The Hollywood Reporter) as suggesting:

"Bernard suggested a compromise to the premiere tussle.
TIFF could create special evening premiere slots for the first Friday, Saturday and Sunday of the festival at major venues such as Roy Thomson Hall and the Princess of Wales and Elgin theatres. That would give TIFF some exclusive premieres, while also allowing Telluride and other fests first dibs on showing other movies."


Sounds familiar doesn't it?  It's not exactly the newly announced "adjustment"...but there's a good deal of similarity.

The posts from both The Star and THR from last summer are re-linked below:

http://www.thestar.com/entertainment/movies/2014/06/26/tiff_vs_telluride_tussle_turns_movie_premieres_into_a_battle_of_wills_peter_howell_column.html


http://www.hollywoodreporter.com/race/toronto-film-festivals-anti-telluride-720646


TORONTO SUN ARTICLE HITS CLOSER TO THE MARK




Bruce Kirkland writing Friday afternoon in the Toronto Sun explains last week's change in film policy from the Toronto International Film Festival in terms more closely in line with my take.  We're not 100% compatible but he does make some of the same points that I have.   Kirkland writes that "...TIFF did change the rules of combat-but the tension continues.  And TIFF is still positioned as the bully..."

Take a look at the complete post here:


http://www.torontosun.com/2015/06/05/kirkland-tiff-premiere-feud-with-telluride-isnt-over#



ANNE AND ERIC LOOK AHEAD




Anne Thompson/Thompson on Hollywood and Eric Kohn/IndieWire, both of whom have been kind enough to participate in my "Professionals of Telluride" film ratings, have posted their latest installment of their podcast: Screen Talk in which they spend a good chunk of time discussing the Fall Film Fest season.  In fact, the podcast is titled: "Why We're Excited for Fall 2015".

Anne and Eric get to the Toronto "adjustment" at about the 6:40 mark in the cast. 

Take a listen here:


http://www.indiewire.com/article/why-were-excited-for-the-fall-2015-movie-season-podcast-20150605



More on Tuesday....


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https://www.facebook.com/pages/Michaels-Telluride-Film-Blog-and-The-Film-Awards-Clearinghouse/107846269309712


And on Twitter @Gort2

Tuesday, September 2, 2014

Goodbye Telluride #41/And Now The Dance Called Oscar/The People's Telluride

Good Tuesday Everyone...

GOODBYE TELLURIDE #41

Sad to say, but The Telluride Film Festival has closed its doors for another year.  Start the countdown to TFF #42!

AND NOW THE DANCE CALLED OSCAR



Regular readers of this space know that now that the festival has concluded that two things are about to happen.  I'll go back to the regular twice a week publication schedule (Mondays and Thursdays) unless something special warrants a special post AND the focus of the blog shifts from the films that we puzzled about for six months to the actual films that played and their prospects for the upcoming awards season.

I know that plenty of TFFers couldn't care less about this or that Oscar prospect.  I completely understand that but I do enjoy the awards season and how those films that showed at The SHOW will fare.  As such, I have included a number of pieces of the "at first blush" variety from a number of the best Oscar/Awards thinkers and writers in the business.  Enjoy!

Sasha Stone/Awards Daily:

http://www.awardsdaily.com/blog/2014/09/the-state-of-the-race-how-telluride-shapes-the-oscars/

Kristopher Tapley/HitFix

http://www.hitfix.com/in-contention/off-the-carpet-venice-and-telluride-signal-the-starting-gun

Anne Thompson/Thompson on Hollywood and Eric Kohn/IndieWire (Screen Talk podcast)

http://www.indiewire.com/article/listen-how-has-telluride-changed-the-oscar-race-anne-thompson-and-eric-kohn-discuss-on-indiewires-podcast-20140901

Tim Gray/Variety:

http://variety.com/2014/film/news/telluride-awards-wrap-no-slam-dunk-but-lots-of-goodies-1201294687/

Joey Magidson/Hollywood News

http://www.hollywoodnews.com/2014/09/01/the-telluride-film-festival-launched-some-oscar-contenders/

I'll have others in tomorrow's post.

THE PEOPLE'S TELLURIDE



The ratings from readers have begun to come in and this is your reminder to be a part of the annual rating compilation of  the films you saw at Telluride.  Please drop me a line with your rating of each of the films you saw using a 0-5 scale with "0" for the atrocious and "5" for the sublime.  Send them to me via Twitter @Gort2 or email:  michael_speech@hotmail.com or as a comment to this post.  I'll collate them and publish the results in the next week or so.  It's fun!


More tomorrow...

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Monday, June 23, 2014

Anne and Eric Talk Telluride and Toronto/Selma as a Player/What's Up Ken's Sleeve?

Welcome to Monday...

I'm back from Kansas City and the National Speech/Debate Tournament.  It was a fun week.

ANNE AND ERIC TALK TELLURIDE AND TORONTO


"Birdman" from antenna3.com

Anne Thompson of Thompson on Hollywood and Eric Kohn of IndieWire (who is Anne's new podcast partner) posted their second edition of  "ScreenTalk".  In it they spend a reasonable amount of time talking about the Toronto ultimatum about North American premieres, which is a direct shot across Telluride's bow. They also talk a bot about Alejandro Gonzalez Inarritu's "Birdman", which I'm very excited about and which will almost certainly be on the first 2014 TFF "Ten Bets" list (coming Friday).   The discussion of Toronto/Telluride situation and "Birdman" starts at about the 16 minute mark.  You'll find the entire podcast here:

http://blogs.indiewire.com/thompsononhollywood/screen-talk-episode-2-boyhood-jersey-boys-telluride-vs-toronto-clash-more

SELMA AS A PLAYER


Ava DuVarnay via The Huffington Post

The Hollywood Reporter, among others, over the weekend reported that Ava DuVernay's "Selma" (about the civil rights marches that culminated with the passage of the Voting Rights Act) will be a limited release on Christmas Day.  That puts the film, which hadn't been expected until next year, right in the middle of the awards season and raises the question about whether it is a Telluride possibility.

Arguing against is chances:  it's reportedly still filming which would put it on a really tight deadline to be ready for any of the major fall festivals.

Elements that suggest that it could happen:  Production companies Pathe (which has had a good relationship with T-ride) and Plan B (Brad Pitt's outfit that brought a little thing called "12 Years a Slave to last years fest) suggest it could happen.  Also Christian Colson is one of the producers.  He also produced "Slumdog Millionaire" and "127 Hours".  And finally, Oprah Winfrey herself is a producer and a member of the cast and certainly has had a long relationship with Telluride (the community not the film festival).  Finally, the film is being produced by Paramount which has some play over the years at T-ride including: "Labor Day", "Up in the Air" and "Zodiac".

Stay tuned...

WHAT'S UP KEN'S SLEEVE


Ken Burns via IMDb.com

Long time Telluride Film mainstay Ken Burns has "The Roosevelts" up his sleeve.  It's a seven hour documentary about the famed American family focusing on Teddy, Franklin and Eleanor.  PBS is set to begin the series on Sept. 14th and it's that 9/14 date that makes me think that there's a good chance that Telluride patrons will be able to see at least some of the doc on Labor Day weekend.  Burns has often premiered parts of his current projects in the TFF forum and this wouldn't be a surprise.  Catch up on some details of this enterprise from The Poughkeepsee Journal (of all places) here:

http://www.poughkeepsiejournal.com/story/news/2014/06/12/ken-burns-roosevelt-library/10376967/

The article includes video of Burns talking about the project.

More tomorrow...

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Tuesday, June 10, 2014

The Telluride Film Festival Names Its Poster Artist for TFF #41/Thompson on the Telluride-Toronto Conundrum/Passes Going Fast

TELLURIDE FILM FESTIVAL ANNOUNCES THIS YEAR'S POSTER ARTIST




And it is Christian Marclay.  Here's the press releaase from the TFF PR crew released yesterday afternoon.


BERKELEY, CA, June 2, 2014 – 41st Telluride Film Festival presented by National Film Preserve LTD., proudly announces visual artist Christian Marclay as its 2014 poster artist. Telluride Film Festival’s prestigious annual gathering for film industry insiders, cinema enthusiasts, filmmakers and critics takes place every Labor Day weekend in the picturesque town of Telluride, Colorado. The 41st edition of TFF will run August 29 through September 1, 2014.

Over the past 30 years, Christian Marclay has explored the fusion of fine art and audio cultures, transforming sounds and music into a visible, physical form through performance, collage, sculpture, installation, photography and video. Early examples include the series ‘Recycled Records’ (1980-86); the ‘Body Mix’ series (1991-92); Virtuoso (1999); and ‘Snapshots’, an ongoing, informal series of photographs that depict elements of sound and onomatopoeia that the artist discovers in everyday situations. Over the last decade, Marclay has created ambitious work in a variety of media including the video Guitar Drag (2000); Video Quartet (2002); Crossfire (2007); and most recently The Clock (2010) from thousands of edited fragments, from a vast range of films to create a 24-hour, single-channel video.
Christian Marclay was born in California in 1955, raised in Switzerland and now lives in New York and London. He has exhibited widely, including solo exhibitions at LACMA (2011); LEEUM Samsung Museum of Art (2010); Whitney Museum of American Art (2010); Musée d’Art Moderne et Contemporain (2008); Cité de la Musique (2007); Moderna Museet (2006); Barbican Art Gallery (2005); Seattle Art Museum (2004); Tate Modern (2004); UCLA Hammer Museum (2003); and the SFMoMA (2001). Christian Marclay also continues to collaborate with musicians, including recent performances with Steve Beresford, Okkyung Lee, Shelley Hirsch and Otomo Yoshihide. He was awarded the Golden Lion at the 2011 Biennale di Venezia for his video work The Clock. 

“I was very pleased to be invited to design the poster for the Telluride film festival,” said Christian Marclay. “I decided to celebrate celluloid at a time when the old analog medium is being replaced by digital technology. I have always been interested in outmoded formats such as vinyl records, cassette tapes, or rotary telephones. I also wanted to show how cinema is an art of collage – fragments are collected and assembled to tell a story. The filmstrip with its sprocket holes and optical sound track is instantly recognized as the universal symbol for film. I wonder what will replace it?”

“We have always been enamored with Christian’s work, particularly The Clock and its concept,” commented Telluride Film Festival executive director Julie Huntsinger. “There is such wealth in cinema’s history and Christian pulls from different elements from the past and assembles them in a wholly new arrangement. The poster is a further exploration of this work. His ideas reflect one the most important goals at TFF, which is to create and sustain an appreciation of the art and history of film.”

Marlcay joins a prestigious list of artists who have shared their talents with Telluride Film Festival. Past poster artists include Dean Tavoularis, Ed Ruscha, John Mansfield, Julian Schnabel, Dottie Attie, Doug and Mike Starn, David Lance Goines, Chuck Jones, David Salle, Alexis Smith, Jim Dine, Seymour Chwast, Frederic Amat, Francesco Clemente, Dave McKean, Gary Larson, Chip Kidd, John Canemaker, Mark Stock, Laurie Anderson, William Wegman, Ralph Eggleston, Maira Kalman and Dave Eggers.

To view and download the 41st Telluride Film Festival poster art, visit: http://we.tl/XJVIA96A1x

41st Telluride Film Festival posters will be available for purchase throughout the four-day Festival or by visiting the TFF website atwww.telluridefilmfestival.org.

THOMPSON ON THE TELLURIDE-TORONTO CONUNDRUM



Anne Thompson posted on her Thompson on Hollywood site yesterday a meditation on the looming programming showdown between Telluride and Toronto film fests.  The story is notable for a couple of notes.  Apparently, if you have been planning to catch the shuttle flight from L.A. to T-ride...you may be out of luck.  But the more interesting note occurs near the end of the article that, at least to me, implies that co-director Gary Meyer is not actually co-directing anymore.

Thompson writes:

"And other changes are in store as Bay area-based Gary Meyer is launching a new website and film festival of his own, Eat Drink Films, and leaving full time co-director oversight to Huntsinger and Luddy--Meyer, who is an astute programmer of vintage and contemporary cinema, will continue as Telluride's chief content curator."

I have an email into to Telluride staffers asking for clarification.  Check Thompson's entire article here:

http://blogs.indiewire.com/thompsononhollywood/as-telluride-film-festival-ramps-up-its-labor-day-weekend-slate-will-toronto-steal-its-thunder


PASSES GOING FAST



Twitter followers of the official Telluride Film Festival account got the following message yesterday...meaning that if you haven't already got your pass...you may need to get on the stick...

That added to the mention from Anne Thompson's story(linked above) that says that the LA to Telluride shuttle flight is all booked up means that a lot of the peeps that plan to be in T-ride are already all set for that to happen.

PASSES GOING FAST

2014 Passes on Sale Now

Alert! Acme passes are SOLD OUT. Don't delay in purchasing Cinephile and Patron level passes as supplies are limited. Passes are on sale here for the 41st Telluride Film Festival taking place Friday, August 29-September 1, 2014.
  More tomorrow...

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Monday, September 16, 2013

The Final (Combo) Telluride Film Ratings/12 Years Takes Toronto/Anne and Scott Say.../Post Telluride Echoes/One Last Thing...100,000

Good Monday Everyone...

 THE FINAL TELLURIDE FILM RATINGS



Over the past two weeks I have collected and posted both "The Professionals Telluride": reactions by film critics, bloggers and industry pros as well as "The Peoples Telluride": ratings from those of us who attend the festival as average Joes.  Today is the final ratings post (and a new concept that I did not do last year) and that is the Combined Telluride Ratings.  I have put the two lists together for this final review of how the films shook out at this year's incredible festival.  17 films were shared between the two lists (The Pros had 20 that meant my original criteria and 21 films were on the Peoples list).

Adding the two lists made a composite possible perfect score of 10.

Here's where they landed when the ratings were combined.  Their combined rating is in parenthesis.  The Pros position and the Peoples position follow each film in brackets.

1) 12 Years a Slave (9.25) [1/2]
2) Tim's Vermeer (8.97) [4/1]
3) Gravity (8.75) [3/3]
4) Nebraska (8.38) [5/6]
5) All is Lost (8.26) [6/7]
6) Inside Llewyn Davis (8.25) [7/5]
7) Blue is the Warmest Color (8.15) [2/11]
8) The Past (7.71) [9/10]
9) The Lunchbox (7.55) [13/4]
10) The Wind Rises (7.1) [18/8]
11) Labor Day (7.0) [10/14]
11) (tie) Prisoners (7.0) [12/13]
13) Tracks (6.84) [16/12]
14) Palo Alto (6.4) [16/17]
15) The Invisible Woman (6.19) [20/18]
16) The Unknown Known (5.73) [15/20]
17) Under the Skin (5.1) [18/21]

Again, as I wrote last week, huge differences between The Pros and The People on "Blue is the Warmest Color", "The Lunchbox"and "The Wind Rises".


12 YEARS TAKES TORONTO



The audience response that we first saw when Steve McQueen's "12 Years a Slave" bowed as a "Sneak Preview" in Telluride two weeks ago continued unabated at the Toronto International Film Festival which concluded this weekend with its selection as the Audience Award winner for that fest.  Stephen Frears "Philomena" was runner-up with Denis Villenueve's "Prisoners" (which also was a "sneak" at Telluride) finishing as second runner-up.

The Hollywood Reporter filed this story about the "12 Years" win and the other prizes handed out at TIFF this weekend:

http://www.hollywoodreporter.com/news/toronto-12-years-a-slave-629611




ANNE AND SCOTT SAY...



I'm continuing to check in with a number of industry handicappers who have begun to assess the upcoming awards season and focus specifically for where they think nominations might occur with respect to this year's Telluride lineup.  Today I'm looking at Anne Thompson of Thompson on Hollywood and Scott Feinberg, chief awards analyst for The Hollywood Reporter.

Neither Anne nor Scott have set a complete set of predictions, limiting themselves this early to the "major" categories.  Thompson looks at five categories, Feinberg at 11.  Additionally, Thompson restricts her list of "frontrunners" to films that she's actually seen.  That being noted here's what each of them think at this early point in the season:

Thompson says:

12 Years: Best Picture, Best Actor, Best Director, Best Supporting Actor, Best Supporting Actress, Best Adapted Screenplay
Gravity: Best Picture, Best Actress, Best Director
Nebraska: Best Picture, Best Actor, Best Director
All is Lost: Best Actor
The Past: Best Actress

Feinberg says:

12 Years: Best Picture, Best Director, Best Actor, Best Supporting Actor, Best Supporting Actress, Best Adapted Screenplay
Gravity: Best Picture, Best Director, Best Actress, Best Original Screenplay
All is Lost: Best Picture, Best Actor
Inside Llewyn Davis: Best Original Screenplay
The Wind Rises: Best Animated Feature
Best Doc: Tim's Vermeer, The Unknown Known (and Stories We Tell from TFF #39)
The Past: Best Foreign Language Film
Gloria: Best Foreign Language Film
The Lunchbox: Best Foreign Language Film


POST-TELLURIDE ECHOES



Among the hundreds of articles/posts that have now been written about Telluride #40's films and their further play at Toronto, I am linking to three that seemed pretty interesting.

Steve McQueen, director of "12 Years a Slave" did an interview with Kristin McCracken of The Playlist and talked about the film, the process and Brad Pitt and Michael Fassbender.  It's here:
http://blogs.indiewire.com/theplaylist/interview-steve-mcqueen-talks-12-years-a-slave-django-unchained-pitt-fassbender-20130911

And John Sehring, President of Sundance Selects/IFC Films talked to The Hollywood Reporter's Scott Feinberg about the process of awards season and the effect it is having on the films his company has in its hands: "Blue is the Warmest Color" and TFF #39's "Frances Ha".  You could say he's a little frustrated.

Here's the link: http://www.hollywoodreporter.com/race/ifc-sundance-selects-chief-rips-625959

Anne Thompson analyzes the post_Telluride and Toronto filmscape and offers her take on which films got a boost and which didn't:

http://blogs.indiewire.com/thompsononhollywood/telluride-and-toronto-wrap-who-came-out-ahead


ONE LAST THING....100,000



Michael's Telluride Film Blog/The Film Awards Clearinghouse rolled past its 100,000th view sometime last night.  100,000 views is mind blowing to me.  Thanks readers!


More on Thursday...

Monday, November 19, 2012

FAC Update: Picture & Supporting/Oscar Matters/Amour and Rust and Bone News

Good Monday Everyone...I don't know about you, but I'm staring down a Turkey!

Watched Part One of Ken Burns' "The Dust Bowl" last night on PBS.  It will come as no surprise that it's terrific and very moving.  Also, I liked seeing the credits at the end that included me and the CEO.  Part Two is tonight.

THE FAC UPDATE: BEST PICTURE AND SUPPORTING ACTRESS AND ACTOR

BEST PICTURE

For the first time this season...absolutely no changes in the top 15 films from last week.


The FAC reviews the Oscar predictions of the following to arrive at its "predictions":

Sasha Stone/Awards Daily
Scott Feinberg/The Feinberg Forecast-The Hollywood Reporter
Kristopher Tapley/InContention-HitFix
Anne Thompson/Thompson on Hollywood-IndieWire
Peter Knegt/IndieWire
Brad Brevet/Rope of Silicon
Clayton Davis/Awards Circuit
Nathaniel Rogers/Film Experience
Alex Carlson/Film Misery

 As always the number in parenthesis to a title is its position vis-a-vis the last posting for that category on The FAC updates. Telluride #39 films are indicated in Bold. [ *** ='s HOT, ### ="s NOT].



1) Argo (1)
2) Lincoln (2)
3) Silver Linings Playbook (3)
4) Life of Pi (4)
5) Les Miserables (5)
6) The Master (6)
7) Beasts of the Southern Wild (7)
8) Amour (8)
9) Flight (9)
10) Zero Dark Thirty (10)
11) Moonrise Kingdom (11)
12) Django Unchained (12)
13) Hitchcock (13)
14) The Sessions (14)
15) The Impossible (15)

Comment:  Talk about a stable race.  Pretty good chance that I'm going to get about 3-4 of these in this week. Excited.


BEST SUPPORTING ACTRESS:



1) Anne Hathaway/Les Miserables (3)***
2) Helen Hunt/The Sessions (2)
3) Amy Adams/The Master (1)###
4) Sally Field/Lincoln (4)
5) Maggie Smith/Best Exotic Marigold Hotel (5)
6) Samantha Barks/Les Miserables (6)
7) Kerry Washington/Django Unchained (9)***
8) Judi Dench/Skyfall (New)***
9) Jacki Weaver/Silver Linings Playbook (8)
10) Kelly Reilly/Flight (new)***

Dropping Out: Scarlett Johannson/Hitchcock and Ann Dowd/Compliance

Comments: Anne Hathaway momentum has moved her to #1 and the favorite to probably win, although the top four women are incredibly tightly bunched as of this check.


BEST SUPPORTING ACTOR:



1) Philip Seymour Hoffman/The Master (1)
2) Tommy Lee Jones/Lincoln (2)
3) Robert DeNiro/Silver Linings Playbook (5)***
4) Alan Arkin/Argo (3)
5) Leonardo DiCaprio/Django Unchained (4)
6) Russell Crowe/Les Miserables (6)
7) Matthew McConnaughey (8)
8) John Goodman/Argo (New-ish)***
9) Bryan Cranston/Argo (10)
10) Dwight Henry/Beasts of the Southern Wild (7)###

Dropping Out: Ewan MacGregor/The Impossible

Comments: DeNiro is sliding up and all three "Argo" boys are in the mix this week for the first time.  The "Oscar Underground" candidate is Bryan Cranston!  Dwight Henry cam perilously close to sliding off the top ten altogether.


Next Week I'll update the screenwriting categories as well as cinematography and film editing...and in two weeks, I'll go down ballot and take our first look at technical categories, music, foreign, documentaries and such.


OSCAR MATTERS



     OSCAR TALK WITH KRIS TAPLEY AND ANNE THOMPSON:






     A FEW MINUTES WITH (SCOTT) FEINBERG:




     MCN:15 WEEKS TO GO:


     THR'S FOREIGN FILM DIRECTORY


     THR'S WRITER'S ROUNDTABLE (VIA ANNE THOMPSON):



AMOUR NEWS



Michael Haneke's meditation on love and aging is Sight and Sounds Film of the Week:



RUST AND BONE NEWS



Matthias Schoenarts and Marion Cotillard are interviewed by Young Hollywood.com:


Marion Cotillard is featured by W magazine:



I will have a truncated blog post on Thanksgiving Day...

Follow me on Twitter @Gort2.

"Like" Michael's Telluride Film Blog/The Film Awards Clearinghouse on Facebook.