SPECIAL TO THE FILM AWARDS
CLEARINGHOUSE: BEST ACTOR 18 DAYS OUT
The FAC takes a snapshot look at
individual categories using the predictive resources of:
Awards Daily (Sasha Stone)
Incontention.com (Kristopher Tapley
at HitFix)
The Hollywood Reporter (Scott
Feinberg)
Entertainment Weekly (Dave Karger)
Hollywood Elsewhere (Jeffrey Wells)
Thompson on Hollywood (Anne
Thompson)
Film Misery
Film Experience
Awards Circuit
BRAD PITT MAKES A MOVE
For the first time since I began
tracking the various Oscar prognosticators back in September the Best Actor
leader is NOT either George Clooney or Jean Dujardin. It’s Brad Pitt for Moneyball (by a single
point over Clooney). It’s a tight race
and here’s where it stands as of this morning (with Telluride #38 actors in
bold). If the nominations were announced
this morning they would be (according to the combined wisdom of these
prognosticators):
1) Brad Pitt/Moneyball
2) Geroge Clooney/The
Descendants
3) Jean Dujardin/The
Artist
4) Michael
Fassbender/Shame
5) Leonardo DiCaprio/J. Edgar
In the running:
6) Gary Oldman/Tinker, Tailor and
Demian Bichir/A Better Life (tie)
8) Michael Shannon/Take Shelter
9) Woody Harrelson/Rampart
10) Ryan Gosling/The Ides of March
Others receiving votes:
Ryan Gosling/Drive
Joseph Gordon-Levitt/50/50
The top five are all pretty solid
right now. There has been slight erosion
on the part of DiCaprio so he’s the most vulnerable to a surprise, although I
don’t think that Fassbender is a cinch yet either. Among the “in the running” types, if there
was to be a surprise or two, I think that Gosling is the only one who is entirely
unlikely.
Overall, if I were a wagering man
(and it was legal), I’d be pretty comfortable with these top 5 being the
nominees.
Tomorrow: Best Actress!
WRITER’S GUILD NOMINATIONS
WGA and writing nominations were
announced yesterday and here they are:
WGA ORIGINAL BEST SCREENPLAY NOMS:
50/50, WIN WIN, BRIDESMAIDS, YOUNG ADULT AND MIDNIGHT IN PARIS
WGA BEST ADAPTED SCREENPLAY NOMS:
THE GIRL WITH THE DRAGON TATTOO, THE DESCENDANTS, THE HELP, HUGO AND MONEYBALL
Of course, so many scripts were
ineligible because of the particular quirks of the rules for this organization that the Oscar predictive value isn’t all that remarkable. Still, it doesn't hurt either.
Follow me on Twitter @Gort2
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