Showing posts with label Aaron Sorkin. Show all posts
Showing posts with label Aaron Sorkin. Show all posts

Thursday, November 19, 2020

Oscar Update: Best Director / Ammonite News / The Climb Releases / MLK/FBI Trailer

 OSCAR UPDATE: BEST DIRECTOR


Here are my latest Oscar nomination predictions for Best Direction updated since I last posted this category on  Sept. 21st.  A director's past position is indicated to the right in parentheses.  TFF #47 films are indicated in Bold.


1) Chloe Zhao/Nomadland (1)
2) David Fincher/Mank (2)
3) Aaron Sorkin/The Trial of the Chicago 7 (4)
4) Regina King/One Night in Miami (7)
5) Florian Zeller/The Father (6)
6) Spike Lee/Da 5 Bloods (5)
7) Lee Isaac Chung/Minari (10)
8) Paul Greengrass/News of the World (3)
9) George C. Wolfe/Ma Rainey's Black Bottom (9)
10)Shaka King/Judas and the Black Messiah (8)

Others: Christopher Nolan/Tenet
Hot: Regina King, Lee Isaac Chung
Not: Paul Greengrass, Shaka King, Francis Lee, Sophia Coppola


AMMONITE NEWS


Annabelle Gutterman separates fact from fiction about the characters and story of Ammonite for Tome.com.  That's linked here.



THE CLIMB RELEASES

From TFF #46. The Climb rose into theaters this past week.  Here's the trailer from YouTube:




 




MLK/FBI TRAILER

Here's the trailer for Sam Pollards' documentary MLK/FBI from YouTube






EMAIL:  mpgort@gmail.com

TWITTER @TheMTFB OR @Gort2 

MTFB is published on Mondays and Thursdays

Thursday, July 2, 2020

Two Years Running / Blues and Brews Bows Out of 2020 / Add to Amazon / Nomadland Is Imminent / The Distribs: Bleecker Street / Netflix Adds the Chicago 7

TWO YEARS RUNNING

For the second consecutive year Michael's Telluride Film Blog has been denied press accreditation for the actual fest itself.  Here's a screenshot of the email informing me yesterday afternoon:


So again, after having been granted that status from 2011-2018, TFF has said no. 

When I was denied last year, I asked at the time if there was a specific reason (I've sent that question again this year) and also if there was an appeal process.  I never got an answer.

As I said last year, I fully grasp that the fest can chose who to accredit who not to accredit.  I get that.

Further, I understand that I have published articles that have not been well received within the fest's hierarchy. This past year I have tried to be circumspect with regard to the stories I post and have, on a number of occasions, self-edited as I determined that a particular  thought or story might land badly.  That doesn't seem to have curried any favor.

And, of course, I'm aware that the very point of the blog (sussing out what might play at the fest) is antithetical to the fest's goal of keeping the lineup under wraps.

Still, after having been granted the status for eight years and then being denied for these last two, I am curious as to whether MTFB will ever be accredited again. 


BLUES AND BREWS BOWS OUT FOR 2020



The Telluride Daily Planet reported yesterday that the Telluride Blues and Brews Fest has been canceled for this year.  That leaves TFF as the only fest left standing for Telluride this year.  Blues and Brews was scheduled for Sept. 18-20-two weeks after The SHOW.

Festival director Steve Gumble is quoted in the paper with this:

“We held on to each day and each update and watched our hopes of holding Blues & Brews fade as each day passed.  Having said that, it is with tremendous sadness that I sit here forced to write what I thought I would never have to write — the 27th Telluride Blues & Brews Festival will be canceled for 2020. This is the toughest decision I have made, but without a doubt, it is the right thing to do.”

The complete story is here.


ADD TO AMAZON



Last Monday I took a look at the films that I thought might be possible TFF #47 players from Amazon Studios.  Since then, Amazon Prime Video has acquired a new foreign film title that probably should enter in our consideration

Variety reported on Monday that the streaming service had snagged Chilean hit Jailbreak.  The film is based on the true story escape that occurred in 1990.  Variety reports that the film is Chile's biggest hit in the past few years.

My guestimate at the chances of Jailbreak making a stop in Telluride are 25%.

The Variety story is linked here.


NOMADLAND IS IMMINENT




Chloe Zhao's Nomadland seems to be done...complete...wrapped and locked.  Next Best Picture's Will Mavity tweeted the info yesterday that Nomadland has received its MPAA rating.  It's R by-the-by.

Here's Will's Tweet:


In the comments following Will's Tweet are a couple of references to its possible inclusion for Telluride.

Many readers know that I had Nomadland on my list for a good long while last year as a TFF #46 potential title.  I even still listed as a "possible" choice outside the final 25 "Bets" posted the day before Telluride announced its lineup.

Nomadland stars Frances McDormand.  Its IMDb listing is linked here.



THE DISTRIBS: BLEECKER STREET




Bleecker Street Media is the definition of a specialty house/film distribution company.  Their presence at Telluride over the years has been spotty but not invisible.  Last year they were represented at Telluride with Kitty Green's The Assistant which has gotten very good reviews since its theatrical release in late January.  Some have included it in their Ten Best lists for the first half of 2020.

The Bleecker Street T-ride profile looks like this:

2019- The Assisstant
2015- Beasts of No Nation (partnered with Netflix)


As we look to TFF for 2020 Bleecker could have a couple of films that we should consider:

The Secrets We Keep from director Yuval Adler whose Bethlehem was included by TFF in 2013.  The Secrets We Keep is a post-World War II story of Holocaust survivors trying to make their way in New York.

The other project is John Patrick Shanley's Wild Mountain Thyme.  Shanley is an Oscar, Pulitzer and Tony award winning writer.  He previously directed Doubt (Based on his own stage play) and Joe Versus the Volcano.  Wild Mountain Thyme stars Emily Blunt, Jon Hamm and Jamie Dornan.  IMdB's description of the film reads:


"A pair of star-crossed lovers in Ireland get caught up in their family's land dispute."

My guestimate:

The Secrets We Keep 45%
Wild Mountain Thyme 20%


NETFLIX ADDS THE CHICAGO 7



After weeks of teasing that a deal was probably coming and reported hangups regarding international rights, Netflix has acquired Aaron Sorkin's The Trial of the Chicago 7 from Paramount for $56 million.  In a normal year that would shoot the film right to the top of my Telluride chart but because Netflix has announced that they're not taking any of their films to any of the festivals that won't be happening.

Now, just for fun, close readers of this space have noticed that I have picked up on a couple hints here and there that the Netflix decision may not be as ironclad as it seems.  I have wondered if we might see some Netflix titles as a "surprise" in Telluride.  Those aforementioned hints, Netflix's presence at the fest over the last half decade, Netflix saying that they will continue sponsoring fests- they sponsored the Chuck Jones Theater last year and the Labor Day Picnic in 2018 and I believe they'll be a sponsor of some sort again this year- all make me think that there's at least a glimmer of a chance that some of their projects could end up in the San Juans over Labor Day weekend.

Now that list of projects includes Sorkin's Chicago 7 film.

Variety has the acquisition story here.


EMAIL:  mpgort@gmail.com

TWITTER @TheMTFB OR @Gort2 

MTFB is published on Mondays and Thursdays


Monday, June 22, 2020

Mank in October and an Interesting Note / Netflix and the Chicago 7 / The Distribs: A24

MANK IN OCTOBER AND AN INTERESTING NOTE



Mank Photo montage via World of Reel 


Multiple outlets reported recently that Eric Roth, one of the producers on David Fincher's upcoming Netflix film Mank, has said that the film will premiere at some point in October.

Roth made the statement on the Pardon My Take podcast.

If it's true it suggests that the film might have been ready in time for some of the fall fest run.  As we know, however, Netflix has announced that none of their projects will be fall festing this year.

There are a couple of cracks in that armor, however.  You may recall that I wrote the following in my June 1 post:

"Further, Hammond (Deadline) opens the door slightly to there being the possibility that Netflix's announcement that it would be doing any fall fests might not be 100% carved in stone:
"Netflix, which has been a key presence in the last couple of years is sitting this one out, at least at this point."
The key sentence there being the "At least at this point".

And, as an aside...due to Telluride's secretive nature, you kind of have to wonder that if Netflix was ONLY going to screen at Telluride that they might suggest they weren't going anywhere.
Personally, I take Netflix at its word that they won't screen anywhere...but it's fun to speculate."

Now, in the Zack Sharf/Indiewire article about the possible October release for Mank, there's this sentence:

"While Netflix has not confirmed the “Mank” release date, a fall debut around October or November has been widely expected considering the title is one of the streaming giant’s big Oscar contenders. Similar to last year’s “The Irishman” and “Marriage Story,” Netflix is expected to world premiere “Mank” at one of the fall film festivals."

The Playlist's Charles Barfield seemed to second the motion writing in a story posted on Friday:

"that would give the film ample time to premiere at one of the upcoming fall festivals, which have been welcoming to Netflix films in years past, especially ones with well-known filmmakers and possible awards recognition. So, maybe we’ll see “Mank” 

In fairness, Barfield mentions Venice and Toronto as possible destinations...but still...

The Playlist story is here

So, clearly, something is off-kilter here somewhere.

It's worth keeping an eye and an ear open on this topic.

The entire Sharf/Indiewire post is here.



NETFLIX AND THE CHICAGO 7


I saw reporting over the weekend that Netflix is nearing a deal with Paramount to acquire domestic distribution for Aaron Sorkin;s The Trial of the Chicago 7.  Variety reported over the weekend that negotiations were ongoing.

I've had this Sorkin project on my TFF #47 radar since October of 2018.  The film's TFF chances for a TFF berth seemed to be 50/50.  Then with the stoppage of work in post-production because of the pandemic I had begun to think that it wouldn't be ready in time.  Now, also working against it's Telluride chances, assuming the deal gets done, is Netflix announcing that it won't be taking any of their films to film fests.

The Variety article suggests that the film might still be aimed for release prior to election day in November.

Given the Netflix weirdness detailed in the first section of this post above, I can't definitively say that Chicago 7 won't be a TFF selection.  The door is still open just a wee bit.




THE DISTRIBS: A24



A24's presence at Telluride has been a hit and miss affair since the company's first appearance at the fest in 2012 but their level of success when they have had films there has been impressive with three of the ten films they've screened at Telluride earning Best Picture nominations and, of course, having Moonlight's win after premiering at TFF in 2016.

Here's A24's past at the Telluride Film Festival":

2019: First Cow, Uncut Gems, Waves
2018: No SHOW
2017: Lean on Pete, First Reformed, Lady Bird
2016: Moonlight
2015: Room
2014:  No SHOW
2013: Under the Skin
2012: Ginger and Rosa

Ten films in eight years.  But, as I said...it's been hit or miss with No SHOW's in 2014 and 2018 but three films apiece in 2017 and 2019.

A24 has several films that could be in for a TFF play:

Sofia Coppola's On the Rocks.  Coppola re-teams with Bill Murray for the first time since her debut film, Lost in Translation, which screened at Telluride in 2003.  She hasn't returned to TFF since.  Murray was in town in 2012 in support of Hyde Park on Hudson.  Rashida Jones also stars.  also in its favor-It went into post-production last July.  I was surprised that the film wasn't on the list of films that Cannes "selected".  That makes me think that it may be headed to Venice.  With the uncertainty about how the pandemic will impact fests, films and fest-goers decision making, my sense is that we may see less Telluride/Venice crossover than in recent years.

Mike Mills' C'mon C'mon starring recent Best Actor Oscar winner Joaquin Phoenix.  Mills has never been to Telluride but he hasn't been averse to playing the fest circuit with his past films:
Thumbsucker: Sundance, Berlin, Toronto
Beginners: Toronto
20th Century Women: New York, AFI
The film went into post in December which may suggest that it hasn't had enough time to be completed.

Stephen Karam's adaptation of his Tony Award winning play The Humans.  Richard Jenkins, Amy Schumer and Beanie Feldstein star in the story of a family gathering at Thanksgiving.  It's Karam's first gig as director but he has a scripted adaptations of his own play, Speech and Debate as well as Chekhov's The Seagull.  The film went into post in October so is possibly ready.

Three other A24 titles that seem to be less likely TFF participants are False Positive, After Yang, The  and the Untitled Lila Neugebauer Project.

I appears that the Joel Coen MacBeth project starring Denzel Washington and Frances McDormand has been moved to 2021.

Chances:

On the Rocks 30%
C'mon C'mon 30%
The Humans 30%

All other A24 properties: 10%.





EMAIL:  mpgort@gmail.com

TWITTER @TheMTFB OR @Gort2 

MTFB is published on Mondays and Thursdays


Monday, November 16, 2015

Oscar Matters: Updates and Podcasts / Focus on "Carol" / "Directors: "Sherpa" and "Rams" / Sorkin on "Steve Jobs"

Welcome back from the weekend on this Monday, November 16th.


OSCAR MATTERS: UPDATES AND PODCASTS



With the close of the American Film Institutes's Film Festival this last weekend, the last of the so-called fall film festivals has come to and end.  Possible contenders "By the Sea", "Concussion" and "The Big Short" made their first appearance in public.  The sense I got over the last couple of weeks was that none of them necessarily re-wrote the narrative for this year's Oscars.  "By the Sea" seems DOA while "Concussion" and Will Smith and ""Big Short" seem to have made enough of an impression to be a part of the Oscar conversation but, again, my sense isn't that they'll be a substantial part of the conversation.  We'll have a better idea about them in a couple of weeks.  "The Big Short" opens Dec. 23 and  "Concussion" on Dec. 25.

Here's the latest updates of various predictions from The Gurus of Gold as well as individual updates from Oscar pundits Sasha Stone/Awards Daily and Scott Feinberg/The Hollywood Reporter:

http://moviecitynews.com/2015/11/gurus-o-gold-who-could-get-in-with-a-bit-more-support/

http://www.awardsdaily.com/2015/11/12/best-picture-update-and-a-big-push/

http://www.hollywoodreporter.com/awards/predictions/oscars/2015/academy-awards-111315/


Meanwhile, I have also linked audio and video from three Oscar oriented posts:  The Awards Pundits from The Hollywood Reporter, Deadline's AwardsLine and Indiewire:

http://www.hollywoodreporter.com/race/awards-pundits-big-short-oscar-840333

http://deadline.com/2015/11/tom-oneil-gold-derby-1201620514/

http://www.indiewire.com/article/podcast-which-documentaries-stand-the-best-shot-in-oscar-season-20151113



FOCUS ON "CAROL"


"Carol" trailer via YouTube


As Todd Haynes' "Carol" edges closer to its opening this coming Friday, the web has filled up with posts and articles about the film that could be a major force in Oscar's race this year.  Cate Blanchett and Rooney Mara would seem to be virtual locks for acting nominations and the film could also see nominations in a number of other categories as well.  As a matter of fact, if things break the right way for "Carol" it could possibly be this year's most nominated Telluride film.

So here's your dose of some of this week's "Carol" onslaught:

http://www.nytimes.com/2015/11/15/movies/solving-the-many-mysteries-of-what-became-carol.html

http://thefilmstage.com/news/go-behind-the-scenes-of-carol-with-todd-haynes-masterclass-b-roll-final-poster-clips-and-more/

http://www.ew.com/article/2015/11/12/cate-blanchett-rooney-mara-carol-clip


DIRECTORS: "SHERPA" AND "RAMS"




The Hollywood Reporter talks to the director of the documentary "Sherpa", Jennifer Peedom,  and Awards Circuit talks to "Rams" director Grimur Hakanarson.  Enjoy those here:


http://www.hollywoodreporter.com/behind-screen/sherpa-director-talks-challenges-documenting-838103

http://www.awardscircuit.com/2015/11/15/interview-rams-director-grimur-hakonarson-talks-iceland-winning-cannes/


 AND FINALLY...SORKIN ON "STEVE JOBS"



"Steve Jobs" trailer via YouTube


Aaron Sorkin is on the record about his script for "Steve Jobs" including answering claims about distortions and he also talks about the last scene of the film.  That came in the form of Sorkin's appearance on Jeff Goldsmith "The Q + A" podcast.  I have included this report of that from The Playlist:

http://blogs.indiewire.com/theplaylist/aaron-sorkin-takes-the-credit-blame-for-final-scene-in-steve-jobs-clears-up-claims-of-distortions-inventions-20151113



That'a wrap for Monday.  Return here Thursday for more...


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