Assessing A24 / Indiewire's Oscar List / French Dispatch News Leaves the Door Open

 ASSESSING A24

Continuing my look at film distributors who have had a significant presence at TFF over the last half decade my attention today is on A24.

Here's their footprint at TFF over the past few years:

2012: Ginger and Rosa

2013: Under the Skin

2015: Room

2016: Moonlight

2017: First Reformed, Lady Bird, Lean on Pete

2019: Uncut Gems, Waves, First Cow

And A24's stockpile is large for the end of 2020.  The most likely films to play Telluride are probably:

C'mon C'mon

The Humans

The Tragedy of Macbeth

But there are others that could be in the TFF convo:

The Eternal Daughter

When You Finish Saving the World

Red Rocket

And actually, A24 still has others in the pipeline that could be selected.

INDIEWIRE'S OSCAR LIST

Indiewire's Zack Sharf has taken a stab at an early look at this next year's potential Oscar Best Picture contenders with a list of 30 films.  Indiewire posted the list last Thursday.  Looking it over it crosses my mind that I could make some sort of case for a Telluride bow for about half of them.  Let's give it a whirl in the order that the Indiewire article lists them and with a note or two about why they might be a T-ride player.

Spencer: Because it's directed by Pablo Larrain who doesn't have every project at Telluride but he's no stranger either.  Also, it's from NEON...which doesn't hurt.

C'mon C'mon: Because it's from A24 (see above).

Last Night in Soho: Because it's from Focus Features.  Also, I have a hunch it will be announced as a Cannes selection later this week which could be a sign of a Cannes-Telluride double play.  Also, the Oct. 22nd release date gives the film space to play T-ride, TIFF and/or New York.

The Humans: Also from A24 (see above).

The Card Counter: Because it's directed by Paul Schrader who has a lengthy relationship with TFF. It's also from Focus and its release date, Sept. 10th, suggests it could play Cannes/Telluride or Venice/Telluirde or Telluride as a stand alone festival appearance.

Untitled Paul Thomas Anderson Project (Soggy Bottom):  It's been since 2007 since PTA was in Telluride to aid in feting tribute recipient Daniel Day-Lewis and screen the first few minutes of There Will Be Blood.  Since then PTA has directed: The Master (2012-Venice, TIFF),  Inherent Vice (2014-NYFF, AFI) and Phantom Thread (2017-Palm Springs).  Persistent rumors that it will be announced for Cannes on Thursday and a November release date leave the door open for a number of fall fest scenarios if MGM decides to pursuer them.  Also, does the Amazon acquisition of MGM change any of the festival calculus?  

Nightmare Alley: Because it's directed/produced by Guillermo Del Toro and co-written by Kim Morgan (who co-guest directed the fest in 2014).  The distributor is Searchlight which has a long and fruitful relationship with Telluride.  The Dec. 3rd release date works too.

Dune:  Because it's directed by Denis Villenueve who has a substantial Telluride record.  Being from Warner Brothers doesn't necessarily hurt.  Oct. 1 is the release date which works too.  I won't be surprised if Dune has some spot in Cannes' or Venice's lineup.

The Power of the Dog: Because it's directed by Jane Campion whose last feature, Bright Star, played at TFF back in 2009 and who's best known triumph, The Piano, played T-ride in 1993.  It's from Netflix which likely bolsters its TFF chances.

The French Dispatch:  Because...well...it is from Serachlight.  Also, see below...

The Tragedy of Macbeth:  Director Joel Coen was in Telluride in 2013 with Inside Llewyn Davis and the film is being distributed by A24.  

Don't Look Up: Because it's from Netflix.  Normally, Adam McKay's lack of a Telluride trail over the past decade would keep me from posting the film as a TFF #48 possibility but...Netflix.

Tick, Tick...Boom: Also a Netflix joint and yes, I know that Netflix won't land everything in their larder in Telluride.  And, yes, there's their whole "no festival" approach to last year-though I did hear rumors that had Telluride gone on in 2020 that Mank would have screened there.

The Hand of God: Netflix

The Eyes of Tammy Faye: From Searchlight which is the biggest reason to think it could be in Telluride.  It also has a Telluride friendly release date of Sept. 17th.

The complete Indiewire list is linked here.

FRENCH DISPATCH NEWS LEAVES THE DOOR OPEN

I believe Variety broke the news late this week that Wes Anderson's The French Dispatch will be a part of the Cannes lineup.  Also among the items of interest about the film are its selection for the New York Film Fest and an official theatrical release date for Oct. 22nd.

What's interesting to me is that the Cannes screening is given as the "world premiere" but I couldn't find any premiere designation for the New York Fest in any of the stories that appeared after the initial announcement.  To me that suggests at least the chance that it could also screen at Telluride and/or Toronto.

Here's the story from:

Variety

Indiewire

The Playlist

EMAIL:  mpgort@gmail.com

TWITTER @TheMTFB OR @Gort2 

MTFB's Facebook Page

MTFB is published on Mondays and Thursdays

Cannes Spec heats Up /A Look at SPC

 CANNES SPEC HEATS UP

With the official announcement of the Cannes Film Festival lineup now just two weeks away (June 3), the guessing game about what films make the list is warming up.  As always here, a reminder that, historically, Cannes and Telluride have had a substantial overlap of films in their official selections.

Now, does that continue in this year where we still have Covid concerns, that traditional sharing of titles may be lessened, increased, skewed...

But I'm going to run for awhile on the assumption that there will be that connection between the two fests that has been true for quite some time and that's an average of about 8 or so films that play both.

Just this past week I ran across big "Cannes lists" from Indiewire, Screen Daily and World of Reel and put together a list of TFF possibilities that popped up.

All three publications included: Jacques Audiard's Paris 13th District and Wes Anderson's The French Dispatch.  However, Screen Daily reports that Searchlight has not yet committed to premiering on the Croisette and is still gaming out what it feels would be the best release strategy for the highly anticipated film.

Many films that I feel have a shot at TFF #48's lineup are listed in two of the publications including:

Asghar Farhadi's A Hero (IND, WOR)

Andrea Arnold's Cow (IND, SD)

Michelangelo Frammartino's The Hole (IND, SD)

Eva Husson's Mothering Sunday (IND, SD)

Joel Coen's The Tragedy of Macbeth (IND, WOR)

Todd Haynes' The Velvet Underground (IND, SD)

Ari Folman's Where Is Anne Frank (IND, WOR)

Mia Hansen Love's Bergman Island (WOR, SD)

Francois Ozon's Everything Went Fine (WOR, SD)

Sean Penn's Flag Day (WOR, SD)

{IND= Indiewire  WOR = World of Reel  SD= Screen Daily}

The complete articles from each publication are linked below:

Indiewire

Screen Daily

World of Reel

Check them out and see what other titles you think might screen at Cannes before coming to Colorado on Labor Day weekend.

A LOOK AT SPC 

Today we continue our stroll through film distributors that have had strong presences over the last five years at Telluride,.  Last Monday I got that started with a look at Netflix which has had 16 (maybe 17) films play at TFF in that time span.  Matching it (or nearly matching it ) has been Sony Pictures Classics with 16 films in five years.  

Beyond the five year limitation I placed on looking at recent TFFs and distributors, SPC and Telluride's relationship has been much longer than that.  So, unless the world stops spinning, you can expect to see some SPC titles this year as in many others.

SPC is coming off a very successful one-two punch with last year's The Father picking up two Oscars among six nominations (Anthony Hopkins for Best Actor and Florian Zeller and Christopher Hampton for Best Adapted Screenplay) and The Truffle Hunters, which didn't make the Oscar final list of five nominated documentary feature films but won a number of critics' awards and was universally beloved.

Currently in SPC's hands and with what seems to be Telluride potential:

Clint Bentley's Jockey

Ty Roberts 12 Mighty Orphans

Andreas Koefoed's The Lost Leonardo

Julie Cohen and Betsy West's Julia

Eva Husson's Mothering Sunday 

Benjamin Millepied's Carmen

And then there's a couple of real wild cards:

Zachary Fuhrer's John Prine: Hello in There which I really thought was going to play TFF #47 last year and then it was not on the announced list.  I swear I saw someplace that it was going to be released or pop-up at some other fest virtually...but I can't find any evidence that happened. SPC acquired the doc in February of 2019.  So???

And then there's Pedro Almodovar's latest Madres Paralelas (Parallel Mothers).  Its IMDb Pro entry says it's a 2022 release and that it's "filming" as of March 10th.  But after Almodovar's triumphant return to Telluride screenings with Pain and Glory at TFF #46...who knows?  OK, it's much more likely that it screens at next year's Cannes and then maybe TFF #49.

At this point I have no strong intell or intuitions about any of these SPC films.   If you made me I might point at Julia, Mothering Sunday and Jockey and I'd likely throw in the Prine doc because I'm stubborn.

EMAIL:  mpgort@gmail.com

TWITTER @TheMTFB OR @Gort2 

MTFB's Facebook Page

MTFB is published on Mondays and Thursdays

Indiewire Looks Ahead to Oscar Contenders for 2022 / Kohn Talks Cannes / New Mainstream Teaser

 INDIEWIRE LOOKS AHEAD TO OSCAR CONTENDERS FOR 2022

The industry turn of the page from the end of Oscar #93's season continued this past week with Indiewire's look forward to potential Oscar players for what we think will be an Oscar ceremony that happens roughly 10 months from now.

As is the custom here at MTFB, I look at their list of possible films to try to sniff out some Telluride possibilities.  This soon after The Academy Awards is always iffy in terms of projecting what might be in play by the time Labor Day comes around.  Compounding the parsing, of course, is the uncertainty surrounding the pandemic and what transpires because of it.  

Nevertheless, here's a list of films from the Indiewire piece that could be Telluride choices (in the order they're presented in the story):

Paul Schrader's The Card Counter

Guillermo Del Toro's Nightmare Alley

Denis Villenueve's Dune

Jane Campion's The Power of the Dog

Wes Anderson's The French Dispatch

Joel Coen's The Tragedy of Macbeth

Michael Showalter's The Eyes of Tammy Faye

The complete Indiewire article is linked here.

KOHN TALKS CANNES

Thierry Fremaux, the Cannes Film Festival director, has been very vocal and adamant about that French fest's intent to be a live event from early to mid July.  Eric Kohn, writing at Indiewire raises some concerns about what films and film distribution outlets would be willing to be on the Croisette in nine weeks.

With announcement date now less than a month away, plans will have to come together very quickly for all involved.  Some titkles are known-Leos Carax's Annette, which is set to open the fest, wes Anderson's The French Dispatch and Paul Verhoeven's Benedatta.  Several other films have serious speculation swirling about them.

That said, Kohn raises some salient points that will surely have to be dealt with by all parties prior to the May 27th announcement.

Check out Kohn's story linked here.

NEW MAINSTREAM TEASER

On Friday The Playlist tweeted a new 17 second teaser for Gia Coppola's Mainstream.  The film stars Andrew Garfield and Maya Hawke.  It's set for release on May 7th.

You can take a peek at the peek by accessing the original tweet from IFC Films linked here.

EMAIL:  mpgort@gmail.com

TWITTER @TheMTFB OR @Gort2 

MTFB's Facebook Page

MTFB is published on Mondays and Thursdays