Showing posts with label The Woman in the Window. Show all posts
Showing posts with label The Woman in the Window. Show all posts

Thursday, March 26, 2020

Word on the Street / 25 Films for Cannes? / Inarritu's Return?

WORD ON THE STREET



As best as I can tell, we got our first word about the status of the 47th Telluride Film Festival from a story posted on The Denver Post's "The Know" website.  That story was posted Tuesday.  The post focused on any number of film related activities in Colorado for the rest of 2020 and their status at this point in relation to the Covid-19 health crisis.

Included as a part of the story was an assessment concerning film festivals within the state including TFF #47.  The relevant paragraph is here:

"The popular Film on the Rocks program at Red Rocks Amphitheatre is scheduled to go on as planned this summer, pending city restrictions, Erickson said. Separate from Denver Film, so is the 47th Telluride Film Festival, an internationally acclaimed event (scheduled for Sept. 4-7) where many Oscar-winning features make their debut, according to a spokeswoman."

So, the status at the moment for TFF #47 is a go. 

The complete Denver Post/The Know story is linked here.

Complicating matters, as I have been detailing here for the past few weeks, is the decision by organizers of the Cannes Film Festival to postpone that fest.  Reports have been that the Cannes soiree is likely to be re-set for late June or early July.  At least that's the plan for the moment. 

The reality is that what form Cannes will take for 2020, when it will happen or even if it will happen still seem to be relevant questions.  And, again, not to beat the drum too much, but the Cannes/Telluride overlap of  titles from year to year is substantial averaging 7.5 films shared per year which, again on average, means that Cannes titles are somewhere in the neighborhood of nearly 20% of the feature films that screen at TFF. 

The point being that whatever Cannes does will have some ripple effect in as far as TFF #47 os concerned.

More to come, as I will continue monitoring for whatever information I can find for both T-ride and Cannes in the coming days.

Now...speaking of Cannes...again....


25 FILMS FOR CANNES



In the midst of uncertainty regarding the fate and form of the 73rd Cannes Film Fest, Indiewire writers (Eric Kohn, David Ehrlich, Kate Erbland, Ryan Lattanzio and Zack Sharf) posted their 25 film Cannes wish list earlier this week.  Not only is is a "wish list" but it's also a list of films with very high Cannes potential.

So, as is my custom, I took a look at what the Indiewire folks were pointing at and whether some of the films they are signaling might have a shot at screening at The SHOW.

Here's what I found as TFF possibles:

Annette/dir: Leos Carax.  Why? It features one of last year's TFF tribute recipients, Adam Driver as well as TFF #39 tribute recipient Marion Cotillard.  It's from Amazon Studios.  It has no set U.S, release date but IMDb says it is set for a Nov. 27th release in Turkey.

Bergman Island/dir: Mia Hansen Love.  Why?  Hansen-Love has made Telluride appearances before: Goodbye First Love, Things to Come). 

The French Dispatch/dir: Wes Anderson.  "Hold up there Newt"  my mind hears some of you saying..."The French Dispatch is set for release on July 24th".  And, yeah, that's true...for the moment.  I suspect that July 24th date was set with a Cannes bow in mind in May.  Now that the Cannes date has changed, I think a whole different strategy might emerge for the film.  The film is under The Searchlight banner (new since the Disney folks dropped the word "Fox" from in front of Searchlight) and I could see them deciding that a new release date after some fall fest presence might be a smart play even with a Cannes that premiered the film in late June/July.  It's still an unlikely TFF choice but now it's not outside of the realm of possibility.

Summer of '85/dir: Francois Ozon.  Ozon has played TFF before with 2016's Frantz. 

Where Is Anne Frank/dir: Ari Folman.  The director of Waltz with Bashir (TFF #35) returns with this animated meditation on Anne Frank. 

The Woman in the Window/dir: Joe Wright.  A film that was on my TFF #46 watchlist for some time and then got dropped when its release date was changed.  It could be back in the convo for TFF #47 if it does make a Cannes appearance.  Certainly there are plenty of TFF connectives involved: Wright who was at TFF #44.  Stars Amy Adams (TFF #43 tribute), Jennifer Jason Leigh (TFF #20 tribute and back in 2007 with Margot at the Wedding), Gary Oldman (at TFF #44 with Darkest Hour). Writer Tracy Letts (at TFF #44 with Lady Bird).  Who knows?

The complete compilation of 25 films on he Indiewire wish list is linked here .



INARRITU'S RETURN?



News from Mexico is that multiple Oscar winner and frequent Telluride presence, Alejandro Inarritu os prepping his next feature film. 

Inarritu hasn't directed a feature since 2015's The Revenant.  His last film at TFF was 2014's Oscar winner Birdman.  He has also screened Babel and Biutiful at TFF as well as being a frequent guest and attendee of the fest often in support of Alfonso Cuaron (Gravity and Roma) and Guillermo Del Toro (The Shape of Water).

The Film Stage reports that Inarritu has begun very preliminary prep work in Mexico City.

Despite the fact that The Revenant did not make a play at TFF, you still have to believe that, if the timing were right, a new Inarritu would be a very big possibility for a TFF bow.

Here's the link to The Film Stage story.



EMAIL:  mpgort@gmail.com

TWITTER @TheMTFB OR @Gort2 

MTFB is published on Mondays and Thursdays



Thursday, July 11, 2019

Telluride and Oscar Part Five: Best Supporting Actress / The Woman Not in Window This Year / The Jesus Rolls Into 2020 / More on Milos Stehlik

It's Thursday, July 11, 2020...we should know the lineup for TFF #46 seven weeks from today!



TELLURIDE AND OSCAR PART FIVE: BEST SUPPORTING ACTRESS



I'm continuing my eight part series about the relationship between the Telluride Film Festival in the last 14 years (beginning with 2005-the year before I first attended the fest) and The Oscars.  Today's subject is Best Supporting Actress.

Here are the women nominated for that honor from films that played The SHOW.  Winners are indicated with ***.


2005: Michelle Williams/Brokeback Mountain, Catherine Keener/Capote
2006: Rinko Kikuchi/Babel, Adriana Barazza/Babel
2007: Cate Blanchett/I'm Not There
2008: Taraji P. Henson/The Curious Case of Benjamin Button
2009: Anna Kendrick/Up in the Air, Vera Farmiga/Up in the Air
2010: Helena Bonham Carter/The King's Speech
2011: Berenice Bejo/The Artist, Janet McTeer/Albert Nobbs
2012: No nominees
2013: Lupita N'yongo/12 Years a Slave***, June Squibb/Nebraska


Emma Stone-Oscar nominee for Birdman


2014: Emma Stone/Birdman, Laura Dern/Wild, Keira Knightley/The Imitation Game
2015: Rachel McAdams/Spotlight, Rooney Mara/Carol, Kate Winslet/Steve Jobs
2016: Naomie Harris/Moonlight, Michelle Williams/Manchester by the Sea
2017: Laurie Metcalf/Lady Bird, Octavia Spencer/The Shape of Water
2018: Emma Stone/The Favourite, Rachel Weisz/The Favourite, Marina de Tavira/Roma

Notes: An astounding 26 nominations in this category in the past 14 years but remarkably only a single win for Lupita N'yongo for 12 Years a Slave.

Both Michelle Williams and Emma Stone have been nominated twice in the category for TFF film performances.  Additionally, Stone was nominated and won Best Actress for La La Land.  TFF films account for all three of Stone nominations.

Williams has two other nominations for Best Actress for Blue Valentine and My Week with Marilyn.

Laura Dern's two Oscar nominations have both come via TFF films.  One in this category in 2014 for Wild.  The other was for Best Actress in 1991 for her performance in Rambling Rose.

TFF has seen three years in which three women were nominated 2014, 2015 and 2018.

To the best of my ability, I believe Ann Sothern was the first woman nominated for Supporting Actress for a T-ride film for 1987's The Whales of August.

Next Tuesday: Part Six: Supporting Actors.



THE WOMAN NOT IN THE WINDOW THIS YEAR



Amy Adams working on the film The Woman in the Window (via The Daily Mail)

Reports appeared yesterday that the Disney folks have moved Joe Wright's The Woman in the Window off its original Oct. 4th date.

That, as you might surmise, moves the film off the TFF #46 watch list.

The Hollywood Reporter's Rebecca Keegan noted Tuesday that the film has been pulled from the schedule for re-shoots after test screenings revealed that audiences were confused.  THR reports that the re-shoots re set to occur next month after star Amy Adams finishes her work on the Ron Howard project Hillbilly Elegy (already on my radar for TFF #47).

The film also features Oscars winner Gary Oldman and Julianne Moore.

Disney acquired the film earlier this year as apart of its takeover of 20th Century Fox and its off-shoots including Fox 2000 which was the home for The Woman in the Window.

Here's the complete story from The Hollywood Reporter.


THE JESUS ROLLS INTO 2020




John Turturro's semi-sequel to The Big Lebowski-which had been titled Going Places but has been re-christened now as The Jesus Rolls- has an announced release target.  Multiple sources put the film into an early 2020 release window.  No specific date has been announced, however.

Screen Media has acquired the film for distribution.

I had been watching for the news of distribution acquisition and dating and admittedly had it on my TFF radar largely because of the connection of the film to The Coen Brothers' Big Lebowski.

I'm of a mind that the 2020 date probably means that the film is probably out as a TFF consideration.

For fuller details check below for reports from:

Variety

Indiewire 

Deadline


MORE ON MILOS STEHLIK (AND A LITTLE ABOUT BEN BARENHOLTZ)

Continued memorials for Milos Stehlik, 1997 TFF Silver Medallion winner and member of the TFF Board of Governors (among many, many other titles and accolades).  Stehlik passed away last Saturday.

Reel Chicago

WBEZ.org

The Criterion Collection (by David Hudson)  It should be noted that this piece from The Criterion Collection website is for both Stehlik as well as Ben Barenholtz.  Barenholtz was a producer, distributor and programmer of note and I am told was instrumental in the early careers of David Lynch, The Coen Brothers and Darren Aronofsky.  He was an early and frequent attendee at Telluride.

Barenholtz died on June 27th at the age of 83.  His New York Times obituary is linked here.



Thanks for reading.  More tomorrow including a new Ten Bets.

EMAIL:  mpgort@gmail.com OR michael_speech@hotmail.com

TWITTER @Gort2 (and follow me there as well)

FACEBOOK Message me on FB MTFB's Facebook Page

COMMENT TO THE BLOG

Tuesday, June 25, 2019

The Distributors 2019: 20th Century Fox / Lucy in the Sky and This Fall / Nuggets from Venice Speculation

Welcome...


THE DISTRIBUTORS 2019: 20TH CENTURY FOX



Or...you know...Disney.

I'm taking a look at films that were at 20th Century Fox that are now, due to Disney's acquisition...part of Disney.  It has meaning as Disney and Telluride really have no history (at least in the time I've been attending TFF).  20th Century Fox has only a small footprint in as far as Telluride is concerned.

But 20th Century Fox has three solid films that are probably going to be a part of the end of the year awards conversation and they may try to include Telluride in their plans for those films.  They are:

James Gray's Ad Astra (more about it below) dated for release on Sept. 20th
Joe Wright's The Woman in the Window dated Oct. 4th
James Mangold's Ford v. Ferrari dated Nov. 15th

Two of the three directors have played Telluride in the past with Joe Wright their most recently with Darkest Hour.  Mangold their many years back with Walk the Line and even James Gray was in Telluride in 2012 for the tribute to Marion Cotillard.

So, the factors I look at to make a determination about whether a film is a likely T-ride choice are a mixed bag.

Ultimately, call Ad Astra the most likely prospect (again, see below) at 40%.
The others...
The Woman in the Window 30%
Ford v. Ferrari 30%


LUCY IN THE SKY AND THIS FALL


Natalie Portman in Lucy in the Sky (via IMDb)


I've had my eye on this (back when it was Untitled Noah Hawley Project and then when it became Pale Blue Dot) and just in the last day or so noticed a little more heat on Lucy's Telluride chances.  Ben Travers writing for Indiewire reported on Sunday that "Fox Searchlight is targeting the fall festival circuit for the film's debut".

In my Fox Searchlight assessment back on June 13th, I had Lucy in the Sky listed as having a 40% chance of making the Telluride lineup.  I might have to bump that to 45% in light of the Indiewire story and Fox Searchlight's history with Telluride.

The Travers piece in Indiewire is linked here.

Here's the trailer for the film that is as yet undated for release.




NUGGETS FROM VENICE SPECULATION




As we edge closer to announcements of films for both Venice and Toronto the speculation about what films will go where is starting to grow.  Case in point was World of Reel's Jordan Ruimy spec piece about all the fall film fests that he originally posted on June 21st and has continued to update.  That's linked here.

Last week Roger Friedman reported at ShowBiz 411 that Venice was looking strongly looking at programming Roman Polanski's An Officer and a Spy not that I think that suggests a Telluride play for that film. 

What was interesting was the mention of a couple of other films in the article.  Friedman reports that we can all give up on The Irishman for Venice (and by extension Telluride) as Scrosese does not look like he'll be done with the visual effects in time.The other note is that the notion that James Gray's Ad Astra will play Venice is gaining traction.  Should that happen, that may signal an increased likelihood that the space epic starring Brad Pitt might land in the Rockies on Labor Day weekend.

Something to ponder.


Tuesday's MTFB is in the books back on Thursday.


EMAIL:  mpgort@gmail.com OR michael_speech@hotmail.com

TWITTER @Gort2 (and follow me there as well)

FACEBOOK Message me on FB MTFB's Facebook Page

COMMENT TO THE BLOG


Monday, March 11, 2019

The Cannes Speculation Begins / But Not This One? / And on a Related Note...Venice-Netflix? / Early Oscar Analysis

Welcome back for the weekend...Did you Spring Forward?  I sort of shambled forward...


THE CANNES SPECULATION BEGINS



With the Cannes Film Festival just a couple of months away, it's time to start thinking in a serious fashion what could play as part of their programs with an eye, then. to those films that could bow in France and then have their North American unveiling over Labor Day weekend in the Colorado Rockies.

To that end, you may have notice The Hollywood Reporter's analysis this week of 50 films that their authors say have a shot at making the 2019 Cannes lineup.

Casting an eye over that moderately extensive list of films, these are the titles that jump out at me as worth a glance as we look for films that could make the TFF #45 program (click on the title to go to its IMDb page):

Against All Enemies dir: Benedict Andrews

Ahmed dir: The Dardennes Brothers

The Truth dir: Hirokazu Koreeda

Ema dir. Pablo Larrain

Radegund dir. Terrence Malick (admittedly more a wish than a prophecy)

First Cow dir: Kelly Reichardt

The Laundromat dir. Stephen Soderbergh

 Of course, there are a number of others listed in the THR article that intrigue and could certainly pop up both in France and Telluride.  The complete THR article is linked here.


BUT NOT THIS ONE?



One film listed in the preceding THR linked story is Martin Scorsese's much anticipated Netflix backed gangster drama The Irishman.  Interestingly, within a day of its publication, ShowBiz411 reported that The Irishman will NOT be ready to make an appearance at Cannes.

Roger Friedman headlines his story from Thursday with "Confirmed: No Irishman at Cannes".  In the body of the story Friedman writes "The film is shot...but the special effects will take months."  Friedman also implies that The Irishman might eschew fall fests altogether which would certainly fit Scorsese's recent M.O.

The complete ShowBiz411 post is linked here.


AND ON A RELATED AND GAME CHANGING NOTE...VENICE/NETFLIX?



Eric Kohn wrote a piece this last week at Indiewire which explores where the Cannes/Netflix relationship is and may be headed.  In it he reports that the Venice International Film Festival may be following Cannes path in regards to screening of Netflix films as the battle over how various entities, Festivals and the Oscars particularly, deal with the films that are produced by the streaming giant.

Kohn reports that a recently signed law in Italy that would establish guidelines for theatrical distribution of films there that are similar to the laws in France which have been the central issue in the ongoing Netflix-Cannes confrontation.

Kohn writes, "The Lido may off limits to Netflix in the coming year".  Additionally, he speculates  that that turn of events could conceivably benefit Telluride (and Toronto) writing that it "could be very good" for both fests.

The full paragraph from Kohn is a s follows:

"Netflix doesn’t necessarily need a bump from the festival for its most anticipated films. “Roma” found plenty of acclaim at Venice, Telluride, and Toronto. The Lido may be off-limits to Netflix in the coming year, as Italy’s Minister of Culture Albert Bonisoli signed a law in November requiring theatrical windows in the country similar to the rule in France. But Telluride and Toronto, both of which declined comment for this story, continue to maintain close relationships with Netflix and remain tangible fall launchpads for awards-season hopefuls."

The complete Kohn story is linked here.




EARLY OSCAR ANALYSIS



Also from Indiewire this week is a peak at early Oscar speculation from their resident Oscar guru Anne Thompson.  The article focuses specifically on directors that she perceives might be on the Oscar short list in the months after Telluride comes to a close but still gives us some good fodder for thinking about films that might make their way to the San Juans.

On her list that might be worth our contemplation (and, as above, linked to their IMDb page):

Noah Baumbach' Untitled Project (starring Adam Driver)

Greta Gerwig's Little Women

Noah Hawley's Lucy in the Sky

Marielle Heller's A Beautiful Day in the Neighborhood

Hirokazu Koreeda's The Truth (mentioned and linked above)

Dee Ree's The Last Thing He Wanted

Jay Roach's Fair and Balanced

Martin Scorsese's The Irishman (if it's ready and fall fests are even a part of its release strategy...see above)

Joe Wright's The Woman in the Window

Thompson's complete Indiewire story is linked here.


That's today's MTFB.  More on Thursday.


EMAIL:  mpgort@gmail.com OR michael_speech@hotmail.com

TWITTER @Gort2 (and follow me there as well)

FACEBOOK Message me on FB MTFB's Facebook Page

COMMENT TO THE BLOG