Showing posts with label Spotlight. Show all posts
Showing posts with label Spotlight. Show all posts

Thursday, March 6, 2025

Oscar #97 in the Rear View / Forging Ahead

OSCAR #97 IN THE REAR VIEW




Sunday night's Oscar ceremony brought few, if any, real upsets.  I personally was 16 of 23 for a 69.6% success rate which is among the lowest rates of success since I started posting Oscar predictions on this site. 

Still, in the case of the seven misses, my "Possible Upset" picked up the statuette in five of the seven categories: Actress, Documentary, Animated Feature, Editing and Documentary Short.  Leaving out the Shorts categories, I was a much more respectable 16 of 20 for 80% among the Feature categories.

I felt some better the next morning when Gold Derby posted the records of their experts..  Had I been among them (there are 38 of them) I would have tied for eighth overall.  Among those with which I tied were Indiewire's Anne Thompson and The Contending's Mark Johnson.  Some experts over which I had a better score were: The Hollywood Reporter's Scott Feinberg (65.2%), Deadline's Pete Hammond (65.2%), ABC's Peter Travers (56.5%)  and Variety's Clayton Davis (56.5%).

So, as I said after the nominations dropped in January...where do I apply to be a Gold Derby expert?

Again. TFF films nabbed 10 Oscars.  That's the best since the 2016 edition of TFF when fest films earned 12 Oscars (the year of Moonlight and La La Land).  This year's collection is either tied for second or third most depending if you count the 2008 year wherein Slumdog Millionaire won eight and The Curious Case of Benjamin Button which won three.  Button only screened a few minutes as a part of the tribute to David Fincher.  So 2008 might be eight or eleven if you count Button.

TFF's 2013 edition had 10 Oscars.  That was the 12 Years a Slave (3) and Gravity (7) year.

Here's another thing that I found revealing.  Since I started the polling of Telluride attendees both with the People and the Professionals TFF has had nine films win Best Picture:

Argo
12 Years a Slave
Birdman
Spotlight
Moonlight
The Shape of Water
Parasite
Nomadland***
Anora

Eight of the nine finished at #1 on the Composite Telluride ratings where I add the ratings from the People and the Professionals together.  The only exception was Nomadland which, of course, couldn't be polled as the fest didn't happen due to Covid.  I still count it as TFF film Best Picture Oscar winner as the fest went out of its way  to premiere the film in Los Angeles as a Drive-In experience.

Seems to me that hitting that #1 Composite spot is kind of telling.  

Other films since I started polling that had the #1 Composite rating but did not win Best Picture:

2018- Roma
2021-The Power of the Dog
2022-TAR
2023-Poor Things

Anora became the 12th TFF film to win Best Picture.

Of the 12, six World Premiered at Telluride: 

Slumdog Millionaire
The King's Speech
Argo
12 Years a Slave
Moonlight
Nomadland (see above)

Three screened at Venice before Telluride:

Birdman
Spotlight
The Shape of Water

Three screened at Cannes before telluride:

The Artist
Parasite
Anora

Of the five other films that have won Best Picture since Slumdog in 2008, no other festival World Premiered the subsequent Best Picture more than once:

2009: The Hurt Locker (Venice, so it totals five)
2018: Green Book (Toronto)
2021: CODA (Sundance)
2022: Everything, Everywhere, All at Once (South by Southwest)
2023: Oppenheimer (No Festival appearance)



FORGING AHEAD




So Oscar is done for another season and MTFB turns to the sleuthing of films for the TFF #52 lineup.  Regular readers have already seen some analysis here based on "Most Anticipated" lists from a couple of outlets since the turn of the year.

Now our attention will turn to two primary areas that can give clues...early Oscar predictions and Cannes speculation.  I'll start parsing that with Monday's post.

For those who might remember last year's debacle concerning purchasing tickets...no problem this year.  We've got them and lodging locked down.  Bring on TFF #52!







EMAIL:  mpgort@gmail.com

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Monday, September 30, 2019

Oscar History and TFF Part Eight / More from Renee Zellweger / Portrait Is Not France's Choice / Motherless Opens Rome

OSCAR HISTORY AND TFF PART EIGHT



Here's the concluding installment of my review of the history of Oscar nominations for films that played as a part of the Telluride Film Festival from its 1974 inception to last year's Oscar ceremony.  Today's installment covers the years from 2015 to the present.  Numbers in parentheses following each year are total number of nominations from TFF films for that year followed by the number of Oscars won by TFF films.


2015 (23/4)

Spotlight- Picture-WON, Original Screenplay-WON, Director- Tom McCarthy, Supporting Actress- Rachel McAdams, Supporting Actor-Mark Ruffalo, Film Editing

Son of Saul-Foreign Language-WON

Room- Actress-Brie Larson-WON, Picture, Director-Lenny Abrahamson, Adapted Screenplay

Carol- Actress-Cate Blanchett, Supporting Actress-Rooney Mara, Adapted Screenplay, Cinematography, Score, Costume

Steve Jobs- Actor-Michael Fassbender, Supporting Actress-Kate Winslet

45 Years- Actress-Charlotte Rampling

Anomalisa- Animated

Winter on Fire- Documentary

The Look of Silence- Documentary


2016 (35/12)

Moonlight-Picture-WON, Supporting Actor-Mahershala Ali-WON, Adapted Screenplay-WON, Supporting Actress-Naomie Harris, Director-Barry Jenkins, Score, Cinematography, Film Editing

La La Land- Actress-Emma Stone-WON, Director-Damien Chazelle-WON, Score-WON, Original Song-WON, Production Design-WON, Cinematography-WON, Picture, Actor-Ryan Gosling, Original Song, Original Screenplay, Film Editing, Costume, Sound Editing, Sound Mixing

Manchester by the Sea- Actor-Casey Affleck-WON, Original Screenplay-WON, Picture, Director-Kenneth Lonergan, Supporting Actor-Lucas Hedges, Supporting Actress-Michelle Williams

Arrival- Sound Editing-WON, Picture, Director-Denis Villenueve, Adapted Screenplay, Cinematography, Film Editing, Production Design, Sound Mixing

Toni Erdmann-Foreign Language

Fire at Sea-Documentary

Sully-Sound Editing


2017 (29/6)

The Shape of Water- Picture-WON, Director-Guillermo Del Toro-WON, Score-WON, Production Design-WON, Actress-Sally Hawkins, Supporting Actor-Richard Jenkins, Supporting Actress-Octavia Spencer, Original Screenplay, Cinematography, Film Editing, Costume, Sound Mixing, Sound Editing

Darkest Hour- Actor-Gary Oldman-WON, Makeup-WON, Picture, Cinematography, Production Design, Costume

Lady Bird- Picture, Director-Greta Gerwig, Actress-Saoirse Ronan, Supporting Actress-Laurie Metcalf, Original Screenplay

A Fantastic Woman-Foreign Language

The Insult-Foreign Language

Loveless-Foreign Language

Loving Vincent-Animated

Faces Places-Documentary


2018 (33/6)

Roma- Director-Alfonso Cuaron-WON, Foreign Language-WON, Cinematography-WON, Picture, Actress-Yalitza Aparicio, Supporting Actress-Marina de Tavira, Original Screenplay, Production Design, Sound Editing, Sound Mixing

The Favourite- Actress-Olivia Colman-WON, Picture, Director-Yorgos Lanthimos, Supporting Actress-Emma Stone, Supporting Actress-Rachel Weisz, Original Screenplay, Cinematography, Film Editing, Production Design, Costume

First Man-Visual Effects-WON, Production Design, Sound Editing, Sound Mixing

Free Solo- Documentary-WON

Can You Ever Forgive Me?- Actress-Melissa McCarthy, Supporting Actor-Richard E. Grant, Adapted Screenplay

Cold War- Director- Pawel Pawlikowski, Foreign Language, Cinematography

Shoplifters- Foreign Language

Border- Makeup



What will  we add for 2019?



MORE FROM RENEE ZELLWEGER



Rupert Goold's Judy opened this past weekend to middling reviews except in the case of Renee Zellweger's performance in the role of the icon Judy Garland.  Since its bow in Telluride, Zellweger has become the established front runner (along with Marriage Story's Scarlett Johannson) to earn a Best Actress Oscar nomination and win the gold man in early February.

Zellweger continued to be highlighted through the end of the past week with profiles and interviews in a number of outlets.  I linked several of those last Wednesday/Thursday and am adding a couple of more of them today:

From Variety

Indiewire



PORTRAIT IS NOT FRANCE'S CHOICE



France announced its choice of film for consideration for the Best International Feature (formerly the Foreign Language Film category) for this year's Oscars and it was not Celine Sciamma's TFF featured Portrait of a Lady on Fire.  In what was thought to be a very tough decision, the French instead chose Ladj Ly's Les Miserable.  Alice Wincour's Proxima was also said to have received serious consideration.

Portrait was the recipient of the Best Screenplay award at Cannes whereas Les Miserables was a Jury Prize winner for that fest.

Complete details of the decision are covered in this story by Zack Sharf linked from Indiewire.


MOTHERLESS OPENS ROME



We also found out over the weekend that Edward Norton's Motherless Brooklyn has been chosen to open the Rome Film Festival.  That fest takes off on Oct. 17th.

The complete Rome Film Fest lineup is set to be revealed on Friday.

I have included this link to the announcement for Motherless Brooklyn from The Hollywood Reporter.



That's today's MTFB.  More on Thursday.

EMAIL:  mpgort@gmail.com OR michael_speech@hotmail.com

TWITTER @Gort2 (and follow me there as well)

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COMMENT TO THE BLOG




Monday, March 7, 2016

Telluride's Oscar History (Some of it Anyway) / The Berlin Fest and Telluride / Tickets for Sale!

Good Monday all...

Hope you had a great weekend...

TELLURIDE'S OSCAR HISTORY (SOME PF IT ANYWAY)



I think there is sometimes a belief/narrative that the current run of Best Picture winners that have made their way through Telluride on their way to Oscar glory have indicated that the Telluride and Oscars connection is a very recent phenomenon.  Though the connection has expanded and become stronger in recent years (since 2008's Slumdog Millionaire landslide), the connection between TFF and Oscar Best Picture nominees goes way back to the very beginning of the festival and began to accelerate through the 90's and becoming a common occurrence beginning 16 years ago.

Here's what I mean.  Here are the Best Picture nominees year-by-year that played at Telluride. (*indicates a Best Picture winner):

1974: (Telluride's first year) The Conversation
1989: My Left Foot
1992: The Crying Game
1993: The Piano
1996: Secrets and Lies
2000: Crouching Tiger, Hidden Dragon
2003: Lost in Translation
2004: Finding Neverland
2005: Brokeback Mountain, Capote
2006: Babel
2007: Juno, There Will Be Blood (selected scenes)
2008: Slumdog Millionaire*, The Curious Case of Benjamin Button (selected scenes)
2009: An Education, Up in the Air (expanded BP Field)
2010: The King's Speech*, 127 Hours, Black Swan
2011: The Artist*, The Descendants
2012: Argo*, Amour
2013: 12 Years a Slave*, Gravity, Nebraska
2014: Birdman*, The Imitation Game
2015: Spotlight*, Room

That's a total of 31 Best Picture nominations over TFF's 42 years and 23 of those since 2005 and, of course, the Best Picture winner for six straight years and seven of the last eight.  At least one film from the Telluride lineup has been Best Picture nominated every year since 2003.


THE BERLIN FEST AND TELLURIDE



The 2016 Berlin International Film Festival concluded on Feb. 20 but with all the Oscar hoopla, it got a little lost in the shuffle.  Why does it matter?  Because there will almost certainly be 1-3 films that played the Berlin programs that will screen for the first time in North America at Telluride.  Last year, three Berlin films made their way to T-ride after having bowed originally in Berlin: Taxi, 45 Years and Ixcanul.  In the recent past Telluride has seen '71, Gloria, Barbara, and A Royal Affair after they had originated in Berlin.

So, what films made a splash at this year's Berlin fest that could possibly appear over Labor Day weekend in southwest Colorado?

A number of Berlin prize winners have a real chance.  This year's Golden Bear winner was a refugee documentary chosen by a Meryl Streep led jury.  Gianfranco Rosi' Fire at Sea was picked up for U.S. distribution this week by Kino Lorber (story below).  Kino has had a presence at Telluride in the past with last year's Golden Bear winner, Taxi, being a recent example.  So call Fire at Sea a real possibility.

Also, Mia Hansen Love won Best Director for her Things to Come which is being distributed by Sundance Selects and Trine Dyrholm won Best Actress for Thomas Vinterberg's The Commune which does not currently have a U.S. distributor but considering Vinterberg's recent presence at Telluride (The Hunt in 2012) should be a consideration in our Telluride guessing game.

http://www.hollywoodreporter.com/gallery/berlin-12-cant-miss-movies-869051/13-next-gallery

https://mubi.com/notebook/posts/berlinale-2016-top-picks-coverage-roundup

http://variety.com/2016/film/festivals/berlin-film-festival-competition-winners-2016-1201711207/

http://blogs.indiewire.com/thompsononhollywood/fire-at-sea-wins-golden-bear-20160220

http://www.indiewire.com/article/kino-lorber-picks-up-berlinale-golden-bear-winner-fire-at-sea-20160224

http://www.indiewire.com/article/berlin-international-film-festival-winners-2016-20160220




TICKETS FOR SALE

Telluride Banner Image

We git the invitation/notice in the email this week.  Telluride 2016 passes went onsale to the public on Mar. 1.  Here's the text of the email.



Dear SHOWfriend:
Join us for the 43rd Telluride Film Festival this Labor Day Weekend Friday, September 2nd through Monday, September 5th, 2016.
Our online Box Office for Cinephile, Acme and Festival level passes opens today Tuesday, March 1st, 2016 at 9AM PST. We have sold out of Patron Passes.  We make them available for purchase each year on December 1st, and they sold very quickly.
You need to provide a headshot for your pass — take the time now to scan that special shot, or better yet take a selfie with your camera phone. Any picture that is a close-up of your face will do.
A downloadable order form is also available upon request. We'll still need those gorgeous photos.
If you have any questions on the best way to order your pass, or other general inquiries regarding the Festival, give us a call at 510.665.9494.
We are deeply grateful for your generosity and continuous support. Thank you, and see you at the SHOW!



Get those passes people!


Contact me at:

michael_speech@hotmail.com OR

mpgort@gmail.com OR

via Twitter @Gort2 OR to





Monday, February 29, 2016

And The Oscar Went To...

Good Post Oscar Monday peeps!

AND THE OSCAR WENT TO...



Here are your results from last night's presentation of the 88th Academy Awards (Telluride #42 films are in Bold):


Animated Short: Bear Story

Documentary Short: The Girl in the River

Live Action Short: Stutterer

Sound Editing: Mad Max: Fury Road

Sound Mixing: Mad Max:Fury Road

Makeup/Hair: Mad Max; Fury Road

Costumes: Mad Max: Fury Road

Production Design: Mad Max: Fury Road

Visual Effects: Ex Machina

Original Song: Writings on the Wall/Spectre

Original Score: The Hateful Eight

Cinematography: The Revenant

Film Editing: Mad Max: Fury Road

Documentary Feature: Amy

Animated Feature: Inside Out



Foreign Language Film: Son of Saul

Original Screenplay: Spotlight

Adapted Screenplay: The Big Short

Supporting Actor: Mark Rylance

Supporting Actress; Alicia Vikander/The Danish Girl

Lead Actor: Leonardo DiCaprio/The Revenant

Lead Actress: Brie Larson/Room

Direction; Alejandro Inarritu/The Revenant



Best Picture: Spotlight 



Telluride 2015 Films with wins:

Oscar totals:

The Revenant wins  three Oscars

Mad Max:Fury Road wins six Oscars.

Spotlight won two Oscars.

The FAC goes   15/24 in its Oscar picks for 63 %.  The FAC did have the actual winners in seven of its misses as possible spoilers.

Telluride #42 films won four Oscars:  Spotlight two, Son of Saul and Room (Brie Larson/Best Actress) one apiece.

The Telluride streakof the first North American screening of the eventual Best Picture winner continues :

2008-Slumdog Millionaire
2010- The King's Speech
2011-The Artist
2012- Argo
2013- 12 Years a Slave
2014- Birdman
2015- Spotlight

Six straight years and seven of the last eight.

Biggest surprise of the night was the Ex Machina win for Visual Effects.

More coverage and a turning of the page coming on Thursday's post from Michael's Telluride Film Blog...What will we see in the San Juans this Labor Day?

Thursday, February 25, 2016

The (Probably) Final Film Awards Clearinghouse Oscar Predictions / Oscar Odds and Ends / Final (?) Oscar Predictions from the Experts

Good morning America; how are you?

THE (PROBABLY) FINAL FILM AWARDS CLEARINGHOUSE OSCAR PREDICTIONS



Barring something really unusal happening between now and Sunday night, this is the best assessment that The FAC has about all 24 Oscar categories and what is likely to be announced by The Academy as the Best of film from 2015.

As always...

For the purpose of The FAC I gather data from the publicly posted predictions of the following:

Erik Anderson/Awards Watch
Clayton Davis/Awards Circuit
Scott Feinberg/The Hollywood Reporter
Joey Magidson/Hollywood News
Nathaniel Rogers/Film Experience
Sasha Stone/Awards Daily
Kristopher Tapley/Variety-InContention
Anne Thompson/Thompson on Hollywood/Indiewire


TFF #42 films are in Bold.


Live Action Short:
Winner: Shok
Spoiler(s) Day One, Stutterer or Ave Maria 

Documentary Short Subject:
Winner: Claude Lanzman: Spectres of The Shoah
Spoiler(s): Either Body Team 12 or Chau, Beyond the Lines

Animated Short:
Winner: World of Tomorrow
Spoiler(s): Sanjay's Super Team or Bear Story

Sound Editing:
Winner: The Revenant
Spoiler: Mad Max: Fury Road

Sound Mixing:
Winner: The Revenant
Spoiler: Mad Max: Fury Road

Visual Effects:
Winner: Star Wars: The Force Awakens
Spoilers: The Revenant or Mad Max: Fury Road

Makeup/Hair:
Winner: Mad Max: Fury Road
Spoiler: The Revenant




Costumes:
Winner: Mad Max: Fury Road
Spoiler: Carol

Production Design:
Winner: Mad Max: Fury Road
Spoiler: The Revenant

Original Song:
Winner: Til It Happens to You/The Hunting Ground
Spoiler: Writings on the Wall/Spectre

Original Score:
Winner: The Hateful Eight
Spoiler: Star Wars; The Force Awakens

Cinematography:
Winner: The Revenant
Spoiler: Mad Max; Fury Road

Film Editing:
Winner:Mad Max: Fury Road
Spoiler: The Big Short

Documentary Feature:
Winner: Amy
Spoiler: Cartel Land

Animated Feature:
Winner: Inside Out
Spoiler: Anomalisa




Foreign Language Feature:
Winner: Son of Saul
Spoiler: Mustang




Original Screenplay:
Winner: Spotlight
Spoiler: Inside Out

Adapted Screenplay:
Winner: The Big Short
Spoiler: Room

Supporting Actor:
Winner: Sylvester Stallone/Creed
Spolier(s): Christian Bale/The Big Short or Mark Rylance/Bridge of Spies

Supporting Actress:
Winner: Alicia Vikander/The Danish Girl
Spoiler: Rooney Mara/Carol

Lead Actor:
Winner: Leonardo DiCaprio/The Revenant
Spoiler: Bryan Cranston/Trumbo




Lead Actress:
Winner: Brie Larson/Room
Spoiler: Saorise Ronan/Brooklyn

Director:
Winner: Alejandro Inarritu/The Revenant
Spoiler: Adam McKay/The Big Short

Best Picture:
Winner: The Revenant
Spoiler(s): Either Spotlight or The Big Short


OSCAR ODDS AND ENDS



The likeliest categories for surprises (and the ones that will probably determine your office pool or your Gold Derby or Awards Daily Oscar contests) are: the three shorts categories, sound editing and mixing, production design, costumes, film editing, and Best Picture.

If The FAC is 100% accurate...

The night's big winner, and I do mean BIG,  will Alejandro Inarritu's The Revenant, which The FAC is currently predicting as the winner of six Oscars: Sound Mixing, Sound Editing, Cinematography, Direction, Lead Actor and Best Picture.  

The ONLY other film that is predicted for multiple Oscars is Mad Max: Fury Road with four: Best Film Editing, Production Design, Costumes and Makeup/Hair.

All other winners look like they will be taking home single statues.

TFF #42 films will account for three Oscars for Spotlight's original screenplay, Son of Saul as Foreign Language Film and Brie Larson winning Best Actress for Room.  Telluride could have films that play the spoiler in six other categories with the most likely spoilers being Sanjay's Super Team as Animated Short and Spotlight as Best Picture.

The FAC historical accuracy record is 76%.  I've been crunching numbers since the 2010 Oscars but The FAC has gotten better over time.  The accuracy rate for the past two years has been 88%.

Here's the year by year rate since I started:

2010: 14/24
2011: 17/24
2012: 18/24
2013: 18/24
2014: 22/24
2015: 20/24

As weird as this season has been, I wouldn't be surprised if The FAC reverted back to an 18/24 correct prediction rate on Sunday night.

FOLLOW MTFB/FAC ON TWITTER @Gort2 FOR LIVE OSCAR UPDATES AND VARIOUS COMMENTARY ON SUNDAY NIGHT.



FINAL(?) OSCAR PREDICTIONS FROM THE EXPERTS



Here are links to some of the best in the Oscar prognostication business and their final picks for what will happen on Sunday night.  I'll up date these predictions as a standalone post through the weekend...so keep checking back for the latest links.

Kristopher Tapley/Variety-InContention:

http://variety.com/2016/film/in-contention/oscar-predictions-winners-1201710084/

Pete Hammond/Deadline.com:

http://deadline.com/2016/02/oscars-2016-winners-predictions-academy-awards-handicap-1201701700/


Dave Karger/Fandango:

http://www.fandango.com/features/winning-your-2016-oscar-pool/


Gurus of Gold/Movie City News:

http://moviecitynews.com/2016/02/gurus-o-gold-our-best-guess-our-final-guess/


Check back here at MTFB/FAC for Oscar prediction updates from the experts through the weekend and a first look at Oscar results in Monday's post.






Monday, February 22, 2016

The FAC Looks at the More Obscure Oscar Categories / Feinberg Forecast Update / Spotlight In Depth

It's Monday of Oscar week...


THE FAC LOOKS AT THE MORE OBSCURE OSCAR CATEGORIES



These eight categories are where serious Oscar prognosticators are separated from the mere hobbyists.  Categories like Sound Editing and Best Live Action Short really separate the wheat from the chaff in Oscar predicting world.

So here it is.  The FAC assessment of the lesser known Oscar categories.

For the purpose of The FAC I gather data from the publicly posted predictions of the following:

Erik Anderson/Awards Watch
Clayton Davis/Awards Circuit
Scott Feinberg/The Hollywood Reporter
Joey Magidson/Hollywood News
Nathaniel Rogers/Film Experience
Sasha Stone/Awards Daily
Kristopher Tapley/Variety-InContention
Anne Thompson/Thompson on Hollywood/Indiewire


TFF #42 films are in Bold.


BEST MAKEUP/HAIR

1) Mad Max: Fury Road
2) The Revenant
3) The 100 Year Old Man Who...

Comment:

The FAC has Mad Max:Fury Road as a solid but not prohibitive favorite.


COSTUMES




1) Mad Max: Fury Road
2) Carol
3) The Danish Girl
4) Cinderella
5) The Revenant

Comment:Max's lead is substantial but not insurmountable.  Carol could surprise.


SOUND EDITING

1) The Revenant
2) Mad Max: Fury Road
3) Star Wars: The Force Awakens
4) The Martian
5) Sicario

SOUND MIXING

1) The Revenant
2) Mad Max:Fury Road
3) Star Wars: The Force Awakens
4) The Martian
5) Bridge of Spies

Comment on the Sound categories:  In both cases, The Revenant lead is good but Mad Max is close enough in both categories to keep it interesting.

VISUAL EFFECTS

1) Star Wars; The Force Awakens
2) The Revenant
3) Mad Max:Fury Road
4) The Martian
5) Ex Machina

Comment:  This is one of the closer categories in the entire list of 24 Oscar categories.  Star Wars is out front bu either The Revenant or Mad Max could win the trophy.


And now for the categories that really can make or break your Oscar office pool...The Shorts!


LIVE ACTION SHORT


1) Shok
2) Ave Maria
3) Day One
4) Stutterer
5) Everything Will Be Okay

DOCUMENTARY SHORT

1) Claude Lanzman: Spectres of the Shoah
2) Body Team 12
3) Chau, Beyond the Lines
4) Last Day of Freedom
5) A Girl in the River: The Price of Forgiveness


ANIMATED SHORT

1) World of Tomorrow
2) Sanjay's Super Team
3) Bear Story
4) We Can't Live Without Cosmos
5) Prologue


Comments about the Short categories:  Live Action: Shok's lead is strong but any of the next three films could pick up the prize.  Doc Short: Close battle between the top three.  Animated Short: Also a close fight between the top three.


THURSDAY'S POST WILL INCLUDE THE FINAL FAC FOR ALL 24 OSCAR CATEGORIES...


FEINBERG FORECAST UPDATE




One of the sources that I use for The Film Awards Clearinghouse analysis of the Oscar race is The Hollywood Reporter's Scott Feinberg.  Scott updated hos latest forecast for Oscar winners on Friday and you can check those here:




SPOTLIGHT IN DEPTH


Spotlight trailer via YouTube


Over the past few days I have collected a number of articles, profiles, interviews and posts about TFF #42 and six time Oscar nominated film Spotlight.  Those are all linked below:

http://www.ew.com/article/2016/02/18/spotlight-mark-ruffalo-dvd
More on Thursday...



Thursday, February 18, 2016

Gold Derby Shows The Revenant's Rise / Deep Dive with the Men of Spotlight / Carol's Ed Lachman

Good Thursday World...


GOLD DERBY SHOWS THE REVENANT'S RISE



In the wake of The Revenant's wins at last weekend's BAFTA awards, the expert Oscar predictors that are surveyed by Gold Derby have shifted their view and have now made Alejandro Inarritu's The Revenant as a substantial favorite.

16 over the 25 experts surveyed by the Gold derby crew are currently picking The Revenant putting it over the 50% mark and giving it (according to Gold Derby) odds of 5/6 to win.  Spotlight sits at second with 6 experts still picking it.  Its odds are listed at 10/3.  The only other film that earned any #1 votes is The Big Short.

Check the complete Gold Derby Best Picture picture here:

http://www.goldderby.com/stats/experts/oscars-2015/best-picture.html


http://www.goldderby.com/awardshows/experts/oscars-2015/best-picture.html



DEEP DIVE WITH THE MEN OF SPOTLIGHT



The Wrap recently posted video interviews with both Michael Keaton and Oscar nominated Mark Ruffalo from Spotlight.  Find both interviews here:


http://www.thewrap.com/spotlight-star-michael-keaton-talks-actors-journalists-and-their-egos/

http://www.thewrap.com/how-mark-ruffalo-learned-to-play-an-excitable-journalist-in-spotlight-video/



CAROL'S ED LACHMAN




Jazz Tangcay, writing for Awards Daily takes in depth look at the work of cinematographer Ed Lachman who is nominated for Best Cinematography for Todd Haynes Carol.  Lachman talks at length about Carol and the how and why about a number of shots from the film.  The link is here:


http://www.awardsdaily.com/2016/02/16/through-the-lens-carol/



More to come Monday...including a look at the more obscure Oscar categories...





Monday, February 15, 2016

The Latest FAC for Major Oscar Categories / BAFTA Results and a Few Thoughts / WGA Rewards Spotlight and The Big Short

Good Monday everyone...welcome to another post on Michael's Telluride Film Blog/The Film Awards Clearinghouse.


THE LATEST FAC FOR MAJOR OSCAR CATEGORIES



For the purpose of The FAC I gather data from the publicly posted predictions of the following:

Erik Anderson/Awards Watch
Clayton Davis/Awards Circuit
Scott Feinberg/The Hollywood Reporter
Joey Magidson/Hollywood News
Nathaniel Rogers/Film Experience
Sasha Stone/Awards Daily
Kristopher Tapley/Variety-InContention
Anne Thompson/Thompson on Hollywood/Indiewire


TFF #42 films are in Bold.


BEST PICTURE




1) The Big Short (1)
2) The Revenant (3)
3) Spotlight (2)
4) Mad Max: Fury Road (4)
5) The Martian (5)
6) Room (6)
7) Bridge of Spies (7)
8) Brooklyn (8)

Comment: The Revenant's and Alejandro Inarritu's DGA win has shuffled the top of the deck slightly.  Spotlight slips from #2 to #3 and The Revenant moves up to that #2 spot.   The top three films are bunched within a two point window in The FAC metric so the Best Picture race is still wide, wide open.

It will interesting to see if last night's BAFTA announcement changes the field further.  


BEST DIRECTOR

1) Alejandro Inarritu/The Revenant (1)
2) Adam McKay/The Big Short (2)
3) George Miller/Mad Max: Fury Road (4)
4) Tom McCarthy/Spotlight (3)
5) Lenny Abrahamson/Room (5)



Comment:  McCarthy and Miller trade places signalling a weakening among The FAC pundits in their feeling that Spotlight is waning, however slightly, in the Best Picture race. 


BEST ACTRESS

1) Brie Larson/Room (1)
2) Saorise Ronan/Brooklyn (2)
3) Cate Blanchett/Carol (4)
4) Charlotte Rampling/45 Years (3)
5) Jennifer Lawrence/Joy

Comment: Larson has solidified her hold on the lead here.  Slight shift below her as Blanchett and Rampling switch the #3 and #4 positions.


BEST ACTOR



1) Leonardo DiCaprio/The Revenant (1)
2) Bryan Cranston/Trumbo
3) Michael Fassbender /Steve Jobs (3)
4) Matt Damon/The Martian (4)
5) Eddie Redmayne/The Danish Girl (5)

Comment: It's Leo all the way here.  The category remains static from the last FAC post.


BEST SUPPORTING ACTRESS

1) Alicia Vikander/The Danish Girl (1)
2) Rooney Mara/Carol (2)
3) Kate Winslet/Steve Jobs (3)
4) Jennifer Jason Leigh/The Hateful Eight (4)
5) Rachel McAdams/Spotlight (5)

Comment: Another category that's frozen with these nominees in the same positions as the last FAC.  Vikander is away out front.

BEST SUPPORTING ACTOR

1)  Sylvester Stallone/Creed (1)
2) Christian Bale/The Big Short (4)
3) Mark Ruffalo/Spotlight (2)
4) Mark Rylance/Bridge of Spies (3)
5) Tom Hardy/The Revenant (5)

Comment:  Stallone is the odds on favorite.  Bale's ascendance could signal a rise in The Big Short's fortunes and the subsequent drop for Mark Ruffalo might be another signal that Spotlight might be waning.

BEST ADAPTED SCREENPLAY

1) The Big Short (1)
2) Room (2)
3) The Martian (5)
4) Carol (3)
5) Brooklyn (4)

Comment: Last weekend's WGA win for The Big Short only solidifies its status as the very likely winner for this category on Oscar night.


BEST ORIGINAL SCREENPLAY



1) Spotlight (1)
2) Inside Out (2)
3) Ex Machina (3)
4) Straight Outta Compton (4)
5) Bridge of Spies (5)

Comment: Spotlight won the WGA and is the prohibitive favorite here.


BAFTA RESULTS AND A FEW THOUGHTS



Alejandro Inarritu's western revenge/survival dram The Revenant won the British version of the Oscar last night for Best Picture.  Inarritu also won as did star Leonardo DiCaprio.  The film also won honors for cinematography (Emmanuel Lubezki also won the American Society of Cinematographers Award for Best Cinematography last night...making him likely to win an unprecedented third straight Oscar) and  Best Sound.

In addition to DiCaprio, Brie Larson won Best Actress for Room, Kate Winslet was named Best Supporting Actress for Steve Jobs and Mark Rylance as Best Supporting Actor for Bridge of Spies.

Other winners last night included Screenplay wins for Spotlight and The Big Short.  Mad Max; Fury Road won four tech awards for editing, costumes, makeup and production design.

Complete results are here:

http://variety.com/2016/film/news/bafta-awards-winners-2016-complete-list-british-academy-film-television-1201706004/

The Revenant's win on top of its win with the DGA most likely signals that it is the front runner for the Best Picture Oscar in less than two weeks time.  That said, analysis from Oscar pros Scott Feinberg of The Hollywood Reporter and Kristopher Tapley of Variety's InContention say.."not so fast".

Both analysts suggest that The Revenant is the likely favorite but they also point out that this season has been anything but predictable and that the BAFTA last year rewarded Richard Linklater's Boyhood.  So, they both say, the race may still not be over andwe could still have a surprise or two on Feb. 28.

Check out their analysis here:

http://www.hollywoodreporter.com/race/bafta-awards-revenant-wins-dont-865269

http://variety.com/2016/film/in-contention/the-revenant-key-bafta-awards-analysis-1201706167/

One final note: Telluride films won Best Actress-Brie Larson/Room, Best Supporting Actress-Kate Winslet/Steve Jobs, Original Screenplay-Spotlight and Non-English Language Film-Wild Tales.

WGA REWARDS SPOTLIGHT AND THE BIG SHORT




The Writers Guild of America named their award winners for 2015 on Saturday with TFF #42 film Spotlight named Best Original Screenplay and The Big Short winning Best Adapted Screenplay. Those wins are expected to be repeated on Oscar night in a couple of weeks.

I have linked WGA coverage here: